一粒:通过物质和声音表达城市生态的多模态

Enza Migliore, Marcel Zaes Sagesser, Hanyu Qu
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引用次数: 0

摘要

“一粒”是作者制作的艺术装置:一个定制材料的小立方体(25 x 25 x 25cm),放在基座上,从内部发出声音。其基本理念是从密集的当代城市空间中提取“谷物”,并将其转化为艺术装置,使观众能够体验城市。这个小立方体容纳了城市的一些材料和声音生态,它源于嵌入其中。在本文中,作者描述了他们用来采样和重新解释城市材料和声音生态的技术过程,包括原子力显微镜(AFM), 3d打印,现场录音和声音合成。他们为城市的纹理提供了一些理论笔记,以研究这种技术翻译过程如何产生具有情感,诗意和投机潜力的体验。他们认为,这种体验让观众批判性地重新思考自然与人工或城市与自然之间的二元对立。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Grain of: A Multimodal Representation of the City’s Ecology Through Material and Sound
“A Grain of” is an art installation made by the authors: a small cube (25 x 25 x 25cm) of custom-made matter, sitting on a plinth, emitting sound from within. Its underlying idea is to take a “grain” from a dense, contemporary urban space and translate it into an art installation that makes the city experienceable for the audience. This small cube holds some of the material and sonic ecology of the city from which it stems embedded in it. In this paper, the authors describe the technical processes that they have used to sample and reinterpret the city’s material and sonic ecologies, including Atomic Force Microscopy (AFM), 3d printing, field recording, and sound synthesis. They offer some theoretical notes towards the grain of the city in order to investigate how this process of technical translation produces an experience with affective, poetic, and speculative potential. They argue that this experience lets its audience critically rethink the old enduring binaries between natural and artificial or between the city and nature.
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