调查小学生在戏剧课堂上的集体创造力——教师培训生培养创造性的课堂环境

Tapio Toivanen, Laura Halkilahti
{"title":"调查小学生在戏剧课堂上的集体创造力——教师培训生培养创造性的课堂环境","authors":"Tapio Toivanen, Laura Halkilahti","doi":"10.24297/IJREM.V5I3.3901","DOIUrl":null,"url":null,"abstract":"The use of drama in education can be seen as a method to support pupils creativity. Drama work offers possibilities for creative group processes and aims for deeper conceptual understanding by preparing students to create new knowledge. Having said this, it is difficult to determine whether this is true, and in what way if it is true. This article seeks to answer the following research questions: Can the principles of theatrical improvisation be used as an analytic tool to examine the collaboration and emergence of creative ideas between pupils during drama work? To what degree do teacher trainees succeed in supporting pupils group creativity in drama lessons? The potential complexity and diversity of creative group processes in drama education is challenging for teacher trainees and novice teachers at the beginning of their careers. In this study teacher trainees specializing in drama were observed. Eight lessons were recorded and analyzed using the core principles of improvisation as an analytic tool. The scenes were then interpreted to recognize the characteristics of group creativity (improvisation, collaboration and emergence) defined by Sawyer (2003, 2006, 2012). Both authors analyzed and made their interpretations separately. The findings were compared and the few situations where the authors opinions differed were reconciled by discussion. The research results show that the analysis method based on the principles of improvisation was moderately usable for both exact and more general analysis. Within the restrictions of the case studies, our conclusion is that drama teaching supports pupils group creativity.","PeriodicalId":247415,"journal":{"name":"International Journal of Research in Education Methodology","volume":"111 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2014-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Investigating pupils group creativity in drama - Teacher trainees fostering a creative classroom environment\",\"authors\":\"Tapio Toivanen, Laura Halkilahti\",\"doi\":\"10.24297/IJREM.V5I3.3901\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The use of drama in education can be seen as a method to support pupils creativity. Drama work offers possibilities for creative group processes and aims for deeper conceptual understanding by preparing students to create new knowledge. Having said this, it is difficult to determine whether this is true, and in what way if it is true. This article seeks to answer the following research questions: Can the principles of theatrical improvisation be used as an analytic tool to examine the collaboration and emergence of creative ideas between pupils during drama work? To what degree do teacher trainees succeed in supporting pupils group creativity in drama lessons? The potential complexity and diversity of creative group processes in drama education is challenging for teacher trainees and novice teachers at the beginning of their careers. In this study teacher trainees specializing in drama were observed. Eight lessons were recorded and analyzed using the core principles of improvisation as an analytic tool. The scenes were then interpreted to recognize the characteristics of group creativity (improvisation, collaboration and emergence) defined by Sawyer (2003, 2006, 2012). Both authors analyzed and made their interpretations separately. The findings were compared and the few situations where the authors opinions differed were reconciled by discussion. The research results show that the analysis method based on the principles of improvisation was moderately usable for both exact and more general analysis. Within the restrictions of the case studies, our conclusion is that drama teaching supports pupils group creativity.\",\"PeriodicalId\":247415,\"journal\":{\"name\":\"International Journal of Research in Education Methodology\",\"volume\":\"111 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2014-06-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International Journal of Research in Education Methodology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24297/IJREM.V5I3.3901\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Research in Education Methodology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24297/IJREM.V5I3.3901","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 3

摘要

在教育中使用戏剧可以被看作是一种支持学生创造力的方法。戏剧工作为创造性的小组过程提供了可能性,旨在通过培养学生创造新知识来加深概念理解。话虽如此,但很难确定这是否属实,以及在何种程度上属实。本文试图回答以下研究问题:戏剧即兴创作的原则是否可以作为一种分析工具来研究学生在戏剧工作中的合作和创意的产生?在戏剧课上,教师培训生在多大程度上成功地支持了学生的集体创造力?戏剧教育中创造性团体过程的潜在复杂性和多样性对教师培训生和新手教师在其职业生涯的开始具有挑战性。本研究以戏剧专业实习教师为研究对象。用即兴创作的核心原则作为分析工具,记录和分析了8节课。然后对场景进行解释,以识别Sawyer(2003、2006、2012)定义的群体创造力特征(即兴、合作和涌现)。两位作者分别进行了分析和阐释。研究结果进行了比较,并通过讨论调和了作者意见分歧的少数情况。研究结果表明,基于即兴原理的分析方法对精确分析和更一般的分析都是适度可用的。在个案研究的限制下,我们的结论是戏剧教学支持学生的群体创造力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Investigating pupils group creativity in drama - Teacher trainees fostering a creative classroom environment
The use of drama in education can be seen as a method to support pupils creativity. Drama work offers possibilities for creative group processes and aims for deeper conceptual understanding by preparing students to create new knowledge. Having said this, it is difficult to determine whether this is true, and in what way if it is true. This article seeks to answer the following research questions: Can the principles of theatrical improvisation be used as an analytic tool to examine the collaboration and emergence of creative ideas between pupils during drama work? To what degree do teacher trainees succeed in supporting pupils group creativity in drama lessons? The potential complexity and diversity of creative group processes in drama education is challenging for teacher trainees and novice teachers at the beginning of their careers. In this study teacher trainees specializing in drama were observed. Eight lessons were recorded and analyzed using the core principles of improvisation as an analytic tool. The scenes were then interpreted to recognize the characteristics of group creativity (improvisation, collaboration and emergence) defined by Sawyer (2003, 2006, 2012). Both authors analyzed and made their interpretations separately. The findings were compared and the few situations where the authors opinions differed were reconciled by discussion. The research results show that the analysis method based on the principles of improvisation was moderately usable for both exact and more general analysis. Within the restrictions of the case studies, our conclusion is that drama teaching supports pupils group creativity.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信