Alisa Popp, Magdalena Hartmann, Stephan Huber
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引用次数: 0

摘要

杂技瑜伽练习者要么遵循预先设定的舞蹈编排,要么自由发挥,创造两个身体的姿势和过渡的组合。为了支持他们的自由发挥,我们创造了训练技术探针Acrosuit。Acrosuit提供视觉或振动触觉提示,以提出一个新的接触点,而不需要指示如何到达那里。我们邀请肢端瑜伽者探索性地玩这套衣服,并获得了关于他们是否以及如何使用球杆的定性见解。这起诉讼影响了他们的业务,在某些情况下也影响了合伙人之间的沟通方式。体验由Acrosuit引起的交流变化使acroyogis在没有技术的情况下更加意识到他们的互动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Acrosuit: Promoting Improvisation in Acroyogis With Tactile and Visual Cues
Acroyoga practitioners either follow predefined choreographies or play freely to create compositions of two bodies’ poses and transitions. To support their free play, we created the training technology probe Acrosuit. The Acrosuit gives visual or vibrotactile cues to propose a novel point of contact without instructions how to get there. We invited acroyogis to exploratively play with the suit and gained qualitative insights on whether and how they used the cues. The suit influenced their practice and in some cases also the way of communication between the partners. Experiencing the shifts in communication caused by the Acrosuit made acroyogis more conscious about their interaction without the technology.
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