博物馆的内省事件遭遇:社区艺术教育者在培训中的教学实践

IF 1.1 4区 教育学 0 ART
Trish Osler, Anita Sinner, Lara El Tannir
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引用次数: 0

摘要

这篇文章反映了对艺术遭遇的理解,与实践和与公共艺术同行的生态有关。作为艺术教育学生在社区环境中成为教师的教学探究,有意义的事件遭遇发生在与博物馆同行的过程中。在身体-物体-环境之间的空间中导航,鼓励了关系位置:作为一个/r/摄影师的自我,与艺术品有关的自我,与博物馆空间有关的自我以及与共同参与者有关的自我。对艺术作品的视觉、口头和书面回应都以指导主题和艺术家创作过程的意识为基础。在这种情况下,由此产生的感知被定义为内省、外向和可能被描述为内省(反映合作探索的经验)。参与者的数据显示,交换解释成为对自己对艺术品的假设的有意义的挑衅。此外,内省实践通过分享观点培养了对他人的真正好奇心,这表明这种探究通过增强注意力、激发好奇心和有意识地参与反思、情感和反身性倾向,提供了一个教学上的开端。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Intra-spective Event-encounters in Museums: A Pedagogic Practice Among Community Art Educators in Training

This article reflects understandings of artful encounters in relation to ecologies of practice and walking with public art. Introduced as a pedagogic inquiry among art education students training to become teachers in community settings, meaningful event-encounters transpired while walking with the museum. Navigating spaces of becoming-with between body-object-environment encouraged relational positions: self as a/r/tographer, self in relation to artworks, self in relation to a museum space and self in relation to co-participants. Visual, spoken and written responses to artworks were anchored in guiding themes and in an awareness of the artist's creative process. The resultant perceptions are defined in this case as introspective, extrospective and what may be described as intra-spective (reflecting the experience of collaborative exploration). Participant data revealed that the exchange of interpretation becomes a meaningful provocation to one's own assumptions about an artwork. Moreover, intra-spective practice fostered a genuine curiosity about others through the sharing of perspectives in ways that suggest such inquiry offers a pedagogic opening by enhancing focus, stimulating curiosity, and mindfully engaging reflective, affective and reflexive dispositions.

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来源期刊
CiteScore
2.90
自引率
9.10%
发文量
47
期刊介绍: The International Journal of Art & Design Education (iJADE) provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, creativity, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations. The journal welcomes articles from a wide range of theoretical and methodological approaches to research, and encourages submissions from the broader fields of education and the arts that are concerned with learning through art and creative education.
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