Designing Sustainable Craft Curricula: Balancing Academic and Practical Training

IF 1.1 4区 教育学 0 ART
Eunghan Choi, Min Jeong Song
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引用次数: 0

Abstract

Since craft education was absorbed into higher education (HE), the concept of crafts and the demographic profiles of crafts practitioners have evolved, yet little is known about the extent to which craft programmes in HE are adapting to 21st-century changes and trends. This study aimed to investigate current HE crafts curricula in South Korea, focusing on students' perception of the efficacy of academic crafts training, and to identify the knowledge and skillsets required for competence in creative industries. A content analysis of craft curricula in HE and a focus group interview and survey of students revealed that students are interested in the blurred territories between artistry and entrepreneurship and the application of crafts with the opportunities enabled by new technologies. Accordingly, HE craft programmes are reforming to meet the needs of the new generation of practitioners, but traditional discipline-specific training with a fine arts approach and the division between studio/theory and academic/professional course content persists. We suggest that HE programmes offer more craft-specific entrepreneurial education integrated into studio-based courses with hands-on practice and interdisciplinary content to meet students' needs and foster the flexible mindset required to become a craft practitioner.

设计可持续的工艺课程:平衡学术与实践训练
自从手工艺教育被纳入高等教育以来,手工艺的概念和手工艺从业人员的人口结构已经发生了变化,但高等教育的手工艺课程在多大程度上适应了21世纪的变化和趋势,这一点却鲜为人知。本研究旨在调查韩国高等教育工艺课程的现状,重点关注学生对学术工艺培训效果的看法,并确定创意产业能力所需的知识和技能。高等教育学院手工艺课程的内容分析、焦点小组访谈和学生调查显示,学生对艺术与创业之间的模糊领域以及新技术带来的手工艺应用感兴趣。因此,高等教育学院的工艺课程正在进行改革,以满足新一代从业者的需求,但传统的以美术为方法的特定学科培训,以及工作室/理论与学术/专业课程内容之间的划分仍然存在。我们建议高等教育课程提供更多针对工艺的创业教育,并将其整合到以工作室为基础的课程中,提供动手实践和跨学科内容,以满足学生的需求,培养成为工艺实践者所需的灵活思维。
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来源期刊
CiteScore
2.90
自引率
9.10%
发文量
47
期刊介绍: The International Journal of Art & Design Education (iJADE) provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, creativity, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations. The journal welcomes articles from a wide range of theoretical and methodological approaches to research, and encourages submissions from the broader fields of education and the arts that are concerned with learning through art and creative education.
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