Turning Scientific Data into Physical Art - Sculpture as an aesthetic language

Adrien Segal
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引用次数: 1

Abstract

SCENARIO (SC): Hello, Adrien. You are currently artist in residence in Cork and recently gave a very impressive talk about your innovative art. From a SCENARIO-perspective it is of particular interest how you navigate the space between the Sciences and the Arts. You are sometimes referred to as a data artist. Could you perhaps briefly explain to readers of this journal what a data artist is, by giving one or two concrete examples from your work? ADRIEN SEGAL (AS):Hello!For the definition of data art, I’ll revert to my friend and fellow data inspired artist Loren Madsen’s definition: “Art whose form in large part is determined by data or information.” Beyond that, the term is very new, and essentially describes the overlap of two distinct fields, so the term “data artist” is open to interpretation.In my case, I have a BFA (Bachelors of Fine Art) in Furniture Design, and data found its way into my work in a rather unexpected and circuitous way. I have always been deeply inspired by the natural landscape, and I had a very personal experience on the coast in California where I live. This experience lead a thread of research looking at the cyclical pattern of ...
将科学数据转化为物理艺术——雕塑作为一种审美语言
场景(SC):你好,阿德里安。你目前是科克的驻地艺术家,最近就你的创新艺术发表了令人印象深刻的演讲。从场景的角度来看,你如何在科学和艺术之间导航是特别有趣的。您有时被称为数据艺术家。您能否从您的工作中举出一两个具体的例子,向本杂志的读者简要地解释一下什么是数据艺术家?阿德里安·西格尔:你好!对于数据艺术的定义,我将引用我的朋友和同事罗兰·马德森(Loren Madsen)的定义:“艺术的形式在很大程度上是由数据或信息决定的。”除此之外,这个术语是非常新的,并且本质上描述了两个不同领域的重叠,因此术语“数据艺术家”是开放的解释。就我而言,我拥有家具设计的美术学士学位,数据以一种意想不到的迂回方式进入了我的工作。我一直深受自然景观的启发,我在我居住的加州海岸有过一次非常个人的经历。这一经历引发了一系列研究,着眼于……的周期性模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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