"The Council," Artist Adelita Husni-Bey and Young Adults Envision the Future Museum

IF 1.1 4区 教育学 0 ART
Eunji J. Lee
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引用次数: 1

Abstract

Artmaking, when used as a form of pedagogy and approached in a socially-conscious manner, has the potential to promote agency and create a democratic learning environment for students. This study examines one such project, "The Council," created by artist Adelita Husni-Bey in collaboration with former Teen Program attendees of the Museum of Modern Art. The Council is a collection of large-scale photographs created from a series of workshops in which 13 young adults imagined themselves reshaping the museum's societal role after a major global crisis. The final photographs were exhibited in the museum's main galleries, representing a participatory, socially-engaged artwork produced from a pedagogical process. While there is a prevalence of these types of pedagogy-based artworks, contemporary art literature tends to focus mainly on the artist, disregarding the participants. Therefore, from the stance of an art educator, I examined the learning experiences of the participants as well as the pedagogical framework of the artist. The reviews from the participants were overwhelmingly positive, with many noting a significant increase in their confidence and a greater sense of agency. A liberating experience of collaboration was also stated as a common experience. These outcomes were attributed to the artist's innovative use of multimodal learning and effective facilitation grounded in Francesc Ferrer's philosophy of anarcho-collectivism and integral education, as well as critical pedagogy. This study suggests that creative methodologies can significantly enhance intrinsically motivated learning and emphasises the importance of nurturing the next generation as they envision a more equitable and just society.

“理事会”,艺术家Adelita Husni Bey和年轻人展望未来博物馆
艺术制作作为一种教育形式,并以社会意识的方式进行处理,有可能促进能动性,为学生创造一个民主的学习环境。这项研究考察了一个名为“理事会”的项目,该项目由艺术家Adelita Husni Bey与现代艺术博物馆的前青少年项目参与者合作创建。理事会是一系列研讨会上创作的大型照片集,13名年轻人在会上想象自己在重大全球危机后重塑博物馆的社会角色。最后的照片在博物馆的主要画廊展出,代表了一个参与性的、社会参与的艺术作品,它是从教学过程中产生的。虽然这些基于教育学的艺术作品普遍存在,但当代艺术文学往往主要关注艺术家,而忽略参与者。因此,我站在艺术教育家的立场上,考察了参与者的学习经历以及艺术家的教学框架。参与者的评价绝大多数都是积极的,许多人注意到他们的信心显著增强,代理意识更强。合作的解放体验也被称为共同体验。这些成果归功于艺术家对多模式学习的创新使用,以及基于Francesc Ferrer的无政府集体主义和整体教育哲学以及批判性教育学的有效促进。这项研究表明,创造性的方法可以显著增强内在动机的学习,并强调培养下一代的重要性,因为他们设想一个更加公平和公正的社会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
2.90
自引率
9.10%
发文量
47
期刊介绍: The International Journal of Art & Design Education (iJADE) provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, creativity, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations. The journal welcomes articles from a wide range of theoretical and methodological approaches to research, and encourages submissions from the broader fields of education and the arts that are concerned with learning through art and creative education.
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