From Dialogism to Polyphonic Aesthetics in Werewere-Liking Gnepo’s Ritual Theater Didascalias

Q2 Arts and Humanities
Thaynara Henrique Vieira Lourenço
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引用次数: 0

Abstract

ABSTRACT In theater, stage directions function as a particular genre in which the author’s voice is inscribed in the text to indicate the paths of representation. In Werewere-Liking Gnepo’s La veuve diyilèm (2003), they play a broader role. There is a narrative function, sometimes author’s, sometimes character’s that, in a dialogic movement of reception/understanding, triggers multiple independent and polyphonic voices and consciences. To verify this statement, we will discuss the Bakhtinian reflections that will be essential for this study.
从对话主义到复调美学——兼评格涅波的仪式戏剧《狄达斯卡利斯》
摘要在戏剧中,舞台指示是一种特殊的类型,作者的声音被刻在文本中,以指示表现的路径。在Werewere Liking Gnepo的La veuve diyilèm(2003)中,他们扮演了更广泛的角色。在接受/理解的对话运动中,有一种叙事功能,有时是作者的,有时是人物的,触发了多重独立和复调的声音和意识。为了验证这一说法,我们将讨论对本研究至关重要的巴赫金思想。
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来源期刊
Bakhtiniana
Bakhtiniana Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
69
审稿时长
12 weeks
期刊介绍: Bakhtiniana. Revista de Estudos do Discurso[Bakhtiniana. Journal of Discourse Studies], in electronic format, was created in 2008 by Programa de Estudos Pós-Graduados em Linguística Aplicada e Estudos da Linguagem [the Applied Linguistics and Language Studies Graduate Program] of Pontifícia Universidade Católica de São Paulo/LAEL-PUCSP and by the members of Linguagem, identidade e memória [Language, Identity and Memory] Research Group/CNPq (National Council for Scientific and Technological Development). The journal''s mission is to promote and to publicize research on discourse, mainly on dialogic studies. From 2019 on, it will publish an issue every three months. Each issue is composed of papers and book reviews written by professors and Phd researchers from international and national universities. This is the only journal that covers Bakhtinian studiesper seand that dialogues with other areas of knowledge in Brazil and abroad.
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