¿Cómo han gestionado los conservatorios de música españoles los procesos de enseñanza-aprendizaje durante el confinamiento del COVID-19?

IF 1.1 Q3 EDUCATION & EDUCATIONAL RESEARCH
R. Palau, J. Mogas, María José Ucar
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引用次数: 6

Abstract

Spanish music conservatories had to close their buildings with the aim of containing the spread of the COVID-19 pandemic. Teachers at these conservatories took steps to continue teaching remotely using technological resources. The objective of this research is to analyse how teachers at Spanish conservatories adapted the teaching and learning processes during the closure caused by the COVID-19 pandemic and to review the potential to change the future of music education. This study has been carried out through interviews with 36 active teachers of conservatories from all the regions of Spain. The findings show the difficulty of  teaching during lockdown, the complexity of virtualizing subjects of instrumental practice (carried out, in part, with teacher resources), and that the digital competence of teachers generates diverse comments. Given the scant evidence that changes made during confinement have caused teachers to desire permanent changes to the traditional aspects of the way they teach, they remain strong advocates of face-to-face teaching.
西班牙音乐学院如何管理新冠病毒禁闭期间的教学过程?
西班牙音乐学院不得不关闭大楼,以遏制新冠肺炎疫情的传播。这些学院的老师们采取措施,继续利用技术资源进行远程教学。本研究的目的是分析西班牙音乐学院的教师在新冠肺炎疫情导致的关闭期间如何调整教学过程,并审查改变音乐教育未来的潜力。这项研究是通过采访来自西班牙所有地区的36名现役音乐学院教师进行的。研究结果表明,封锁期间的教学困难,虚拟工具练习科目的复杂性(部分是利用教师资源进行的),以及教师的数字能力产生了不同的评论。鉴于很少有证据表明,禁闭期间所做的改变导致教师渴望永久改变他们教学方式的传统方面,他们仍然强烈主张面对面教学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Revista Electronica de LEEME
Revista Electronica de LEEME EDUCATION & EDUCATIONAL RESEARCH-
CiteScore
1.80
自引率
28.60%
发文量
11
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