{"title":"From B-Boys to Broadway: Activism and Directed Change in Hip-hop","authors":"Courtney Bliss","doi":"10.1177/1326365x19894781","DOIUrl":null,"url":null,"abstract":"In this article, I examine how the dominant paradigm of development led to the Bronx being in a state of ruin, the development of hip-hop culture as a self-empowerment tool, and how that tool is used to direct change in blighted urban areas around the US through rap at all levels—from street corners to the Broadway stage. I use a combination of theories from development communication, ethnomusicology and popular culture to perform my analysis and conclude that hip-hop culture empowers individuals and communities to make change in their neighbourhoods. I also conclude that Lin-Manuel Miranda, coming from that culture, has gone on to bring this empowerment and directed change to Broadway to make fundamental changes there that have an impact that reach far from the hallowed halls of the Great White Way.","PeriodicalId":43557,"journal":{"name":"Asia Pacific Media Educator","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1326365x19894781","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Asia Pacific Media Educator","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/1326365x19894781","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 0
Abstract
In this article, I examine how the dominant paradigm of development led to the Bronx being in a state of ruin, the development of hip-hop culture as a self-empowerment tool, and how that tool is used to direct change in blighted urban areas around the US through rap at all levels—from street corners to the Broadway stage. I use a combination of theories from development communication, ethnomusicology and popular culture to perform my analysis and conclude that hip-hop culture empowers individuals and communities to make change in their neighbourhoods. I also conclude that Lin-Manuel Miranda, coming from that culture, has gone on to bring this empowerment and directed change to Broadway to make fundamental changes there that have an impact that reach far from the hallowed halls of the Great White Way.
在这篇文章中,我研究了主导的发展模式是如何导致布朗克斯陷入毁灭状态的,嘻哈文化作为一种自我赋权工具的发展,以及这种工具是如何通过从街角到百老汇舞台的各个层面的说唱来引导美国各地破败城市地区的变革的。我结合了发展传播、民族音乐学和流行文化的理论进行分析,得出结论,嘻哈文化使个人和社区能够改变他们的社区。我还得出结论,来自那种文化的林·曼努埃尔·米兰达(Lin Manuel Miranda)继续将这种赋权和变革带到百老汇,在那里进行根本性的变革,其影响远远超出了大白道神圣的大厅。
期刊介绍:
Asia Pacific Media Educator is an international refereed journal published twice a year by SAGE Publications (New Delhi) in collaboration with the School of the Arts, English and Media, Faculty of Law, Humanities and the Arts, University of Wollongong in Australia. The journal follows international norms and procedures of blind peer reviewing by scholars representing a wide range of multi-disciplinary areas. APME focuses on generating discussions and dialogues among media educators, researchers and journalists. Content ranges from critical commentaries and essays to research reports and papers that contribute to journalism theory development and offer innovative ideas in improving the standard and currency of media reportage, teaching and training specific to the Asia Pacific region. Papers that integrate media theories with applications to professional practice, media training and journalism education are usually selected for peer review. APME also carries a Q&A section with book authors. APME takes conventional book reviews to a more creative level where reviewers directly engage with authors to understand the process that authors take in researching and writing the book, clarify their assumptions and pose critical questions.