S. Žižek, B. Willems, Nicol A. Barria-Asenjo, Andrea Perunovi´c, Ruben Balotol Jr., Gonzalo Salas, T. Caycho-Rodríguez
{"title":"The Cinematic Daydream as a Tool of Political Emancipation: Plus-de-Jouir, Aufhebung and the Parallax","authors":"S. Žižek, B. Willems, Nicol A. Barria-Asenjo, Andrea Perunovi´c, Ruben Balotol Jr., Gonzalo Salas, T. Caycho-Rodríguez","doi":"10.15366/bp2023.32.002","DOIUrl":null,"url":null,"abstract":"In this research, we will start by exposing the paradox of ‘surplus enjoyment’ (the Lacanian plus-de-jouir), showing that its parallax structure of lack and excess is also applicable to the phenomenon of (surplus) repression. Linking his concept with the Hegelian Aufhebung, understood as a ‘failed negation of negation’ or a ‘negation of negation’ as failure, we will focus in detail on the central example illustrating our theoretical positions, which is Iciar Bollain’s film Tambien la Lluvia (Even the Rain). In analyzing its narrative structures that address the neocolonial reality, we will tend to approach indirectly, by reading the medium of cinematic narration, the ‘neocolonial question.’","PeriodicalId":40614,"journal":{"name":"Bajo Palabra-Journal of Philosophy","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bajo Palabra-Journal of Philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15366/bp2023.32.002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0
Abstract
In this research, we will start by exposing the paradox of ‘surplus enjoyment’ (the Lacanian plus-de-jouir), showing that its parallax structure of lack and excess is also applicable to the phenomenon of (surplus) repression. Linking his concept with the Hegelian Aufhebung, understood as a ‘failed negation of negation’ or a ‘negation of negation’ as failure, we will focus in detail on the central example illustrating our theoretical positions, which is Iciar Bollain’s film Tambien la Lluvia (Even the Rain). In analyzing its narrative structures that address the neocolonial reality, we will tend to approach indirectly, by reading the medium of cinematic narration, the ‘neocolonial question.’
在这项研究中,我们将首先揭示“剩余享受”的悖论(拉康的plus-de-jouir),表明其缺乏和过剩的视差结构也适用于(剩余)压抑现象。将他的概念与黑格尔的Aufhebung(被理解为“失败的否定”或“失败的否定”)联系起来,我们将详细关注说明我们理论立场的中心例子,即Iciar Bollain的电影Tambien la Lluvia。在分析其叙述新殖民主义现实的叙事结构时,我们将倾向于通过阅读电影叙事的媒介,间接地接近“新殖民主义问题”。