Lucas Ramada-Prieto, Martina Fittipaldi, M. Manresa
{"title":"Interpretar (a) la deriva","authors":"Lucas Ramada-Prieto, Martina Fittipaldi, M. Manresa","doi":"10.18239/OCNOS_2021.20.1.2477","DOIUrl":null,"url":null,"abstract":"This article describes the implicit and empirical reader of the digital work of fiction The Empty Kingdom (Merlin Goodbrey, 2015), based on the mixed analysis of a sample of 50 questionnaires completed by 11-12 year old students from two primary schools in the province of Barcelona, within the framework of the project “Teaching to read digital literature” (“Enseñar a leer literatura digital”) (GRETEL-UAB). The data allow us to recognise, firstly, the modes of participation and interpretative challenges that this digital work poses for its readers and, secondly, the main difficulties that students manifest in the concrete reading experience. This analysis leads to the establishment and characterisation of three reader profiles, as well as the tracing of a number of implications relevant to the mediation of digital works of fiction, something in which the school needs to be actively involved so as not to leave readers adrift in the construction of meaning. Resumen En este artículo describimos el lector implícito y empírico de la ficción digital The Empty Kingdom (Merlin Goodbrey, 2015) a partir del análisis mixto de una muestra de 50 cuestionarios llevados a cabo por alumnado de ciclo superior de dos escuelas primarias de la provincia de Barcelona, en el marco del proyecto “Enseñar a leer literatura digital” (GRETEL-UAB). Los datos permiten reconocer, por un lado, los modos de participación y los retos interpretativos que la obra digital propone a sus lectores y, por el otro, las principales dificultades que manifiestan los estudiantes en la experiencia concreta de lectura. Este análisis conduce a establecer y caracterizar tres perfiles lectores y a trazar diversas implicaciones relevantes para la mediación de las ficciones digitales, tarea en la que la escuela ha de comprometerse para no dejar a los lectores a la deriva en la construcción de sentido. Lucas Ramada-Prieto https://orcid.org/0000-0003-3998-074X Universitat Autònoma de Barcelona (Spain)","PeriodicalId":44513,"journal":{"name":"Ocnos-Revista de Estudios sobre la Lectura","volume":"20 1","pages":"96-107"},"PeriodicalIF":1.5000,"publicationDate":"2021-02-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ocnos-Revista de Estudios sobre la Lectura","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18239/OCNOS_2021.20.1.2477","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"EDUCATION & EDUCATIONAL RESEARCH","Score":null,"Total":0}
引用次数: 1
Abstract
This article describes the implicit and empirical reader of the digital work of fiction The Empty Kingdom (Merlin Goodbrey, 2015), based on the mixed analysis of a sample of 50 questionnaires completed by 11-12 year old students from two primary schools in the province of Barcelona, within the framework of the project “Teaching to read digital literature” (“Enseñar a leer literatura digital”) (GRETEL-UAB). The data allow us to recognise, firstly, the modes of participation and interpretative challenges that this digital work poses for its readers and, secondly, the main difficulties that students manifest in the concrete reading experience. This analysis leads to the establishment and characterisation of three reader profiles, as well as the tracing of a number of implications relevant to the mediation of digital works of fiction, something in which the school needs to be actively involved so as not to leave readers adrift in the construction of meaning. Resumen En este artículo describimos el lector implícito y empírico de la ficción digital The Empty Kingdom (Merlin Goodbrey, 2015) a partir del análisis mixto de una muestra de 50 cuestionarios llevados a cabo por alumnado de ciclo superior de dos escuelas primarias de la provincia de Barcelona, en el marco del proyecto “Enseñar a leer literatura digital” (GRETEL-UAB). Los datos permiten reconocer, por un lado, los modos de participación y los retos interpretativos que la obra digital propone a sus lectores y, por el otro, las principales dificultades que manifiestan los estudiantes en la experiencia concreta de lectura. Este análisis conduce a establecer y caracterizar tres perfiles lectores y a trazar diversas implicaciones relevantes para la mediación de las ficciones digitales, tarea en la que la escuela ha de comprometerse para no dejar a los lectores a la deriva en la construcción de sentido. Lucas Ramada-Prieto https://orcid.org/0000-0003-3998-074X Universitat Autònoma de Barcelona (Spain)