Categories and Dilemmas of Youth Arts Programmes in Denmark and England

IF 1.2 4区 教育学 0 ART
Frances Howard, Anne Mette Winneche Nielsen
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引用次数: 0

Abstract

Youth arts programmes give young people access to different kinds of art skills, social networks and professional standard opportunities. This article explores a typology of youth arts from across five programmes in Denmark and England, examining through observations and interviews with staff and young people what kind of arts practices are centered within the programmes. Our categories incorporate programmes that are art skills focused, event-oriented, entrepreneurial, and open access. We recognize that the intentions and outcomes of youth arts programmes are not always as clearly defined as these categories. Yet we argue that there are dilemmas inherited with each category that can cause youth arts programmes to become diluted, fail to achieve stated aims and negatively affect the young person's experience. We offer a typology that characterizes the motivations and approaches of youth arts programmes, as well as the core potentials and dilemmas they involve, thereby sharing useful insights to the on-going development of current programmes as well as the formation of future programmes.

Abstract Image

丹麦和英国青年艺术项目的分类和困境
青少年艺术活动为青少年提供接触不同艺术技巧、社交网络和专业水准的机会。本文从丹麦和英国的五个项目中探讨了青年艺术的类型学,通过对工作人员和年轻人的观察和采访,研究了在这些项目中以什么样的艺术实践为中心。我们的类别包括以艺术技能为重点、以事件为导向、具有创业精神和开放获取的课程。我们认识到,青年艺术计划的意图和成果并不总是像这些类别那样明确。然而,我们认为,每个类别都有继承的困境,这些困境可能导致青年艺术项目被稀释,无法实现既定目标,并对年轻人的经历产生负面影响。我们提供了一种类型,描述了青年艺术项目的动机和方法,以及它们所涉及的核心潜力和困境,从而为当前项目的持续发展以及未来项目的形成分享有用的见解。
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来源期刊
CiteScore
2.90
自引率
9.10%
发文量
47
期刊介绍: The International Journal of Art & Design Education (iJADE) provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, creativity, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations. The journal welcomes articles from a wide range of theoretical and methodological approaches to research, and encourages submissions from the broader fields of education and the arts that are concerned with learning through art and creative education.
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