On the Cultivation of Designers’ Emotional Connoisseurship (Part 1): A Theoretical Positioning

IF 1.8 2区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Haian Xue , Pieter M.A. Desmet , JungKyoon Yoon
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引用次数: 0

Abstract

This two-part article explores the concept of emotional connoisseurship—the art of appreciating lived emotional experiences in emotion-driven design (EDD). In Part 1, we aim to establish and position the concept within the current EDD theoretical landscape. We first review the concept of connoisseurship, its origins, development, and relevance to professional practices. Second, building upon the existing design literature, we scrutinize the relationships between design connoisseurship and design expertise. We then conceptualize emotional connoisseurship as an essential skill that designers aspiring to practice EDD must actively cultivate, along with learning EDD theories, methods, and tools. After that, we reflect on how previous EDD research outcomes (i.e., emotional granularity design tools) can support the development of a designer’s emotional connoisseurship, especially in a schema-oriented or top-down manner, and argue the need for a sensibility-oriented or bottom-up approach. Part 1 sets the stage for Part 2. Part 2 will detail our pedagogical initiative supporting the self-cultivation of emotional connoisseurship among novice designers through a sensibility-oriented approach.

论设计师情感鉴赏力的培养(第一部分):理论定位
本文由两部分组成,探讨情感鉴赏这一概念--在情感驱动设计(EDD)中欣赏生活情感体验的艺术。在第一部分中,我们旨在确立这一概念在当前情感驱动设计理论领域中的地位。我们首先回顾了鉴赏力的概念、其起源、发展以及与专业实践的相关性。其次,在现有设计文献的基础上,我们仔细研究了设计鉴赏力与设计专业知识之间的关系。然后,我们将情感鉴赏力概念化为一种基本技能,有志于实践 EDD 的设计师在学习 EDD 理论、方法和工具的同时,必须积极培养这种技能。之后,我们反思了以往的情感设计与设计研究成果(即情感粒度设计工具)如何支持设计师的情感鉴赏力发展,尤其是以图式为导向或自上而下的方式,并论证了以感性为导向或自下而上的方法的必要性。第 1 部分为第 2 部分做了铺垫。第二部分将详细介绍我们通过以感性为导向的方法,支持新手设计师自我培养情感鉴赏力的教学举措。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
6.20
自引率
5.00%
发文量
16
审稿时长
16 weeks
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