Study on the Online Representation of Chinese Rural Wanghong Based on Space Theory-Taking Kuaishou as an Example

Tong-xi Zhang, Yu-xuan Hai
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Abstract

As the development of 5G technology and new media platform, UGC and the participation culture appears. Short video platform such as Kuaishou has the characterist of low production threshold, easy to use, attracting a great number of users. A great number of internet celebries appears including rural wanghong. In the traditional media era, the communication mode is one way, farmers, especially rural women, are always on the margins of mainstream media discourse. However, the appearance of short video platform gives them right of spearking, in the space conducted by short video platform contains complex Ideology and social structure which also restrict the online space practice of users. Thus, rural female users’ online practice is a kind of dynamic balance following the spatial discipline. This study will analyze the support and constraints of rural female wanghong’s online representation, figure out the relationship of online representation and their traditional rural culture. It provides theoretical suggestions for harmonious coexistence among rural women, social media platforms, the state and society.
基于空间理论的中国农村王洪在线表征研究--以瓜州为例
随着 5G 技术和新媒体平台的发展,UGC 和参与文化应运而生。以瓜视频为代表的短视频平台具有制作门槛低、使用方便等特点,吸引了大量用户。包括农村网红在内的网络红人大量涌现。在传统媒体时代,传播方式单一,农民尤其是农村妇女总是处于主流媒体话语的边缘。然而,短视频平台的出现赋予了她们话语权,在短视频平台所承载的空间中,包含着复杂的意识形态和社会结构,这也限制了用户的网络空间实践。因此,农村女性用户的网络实践是一种遵循空间规律的动态平衡。本研究将分析农村女性 "网红 "网络表征的支持与制约因素,弄清网络表征与农村传统文化的关系,为农村女性 "网红 "的和谐共生提供理论建议。为农村妇女、社交媒体平台、国家和社会的和谐共处提供理论建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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