Making From Home: Reflections on Crafting Tangible Interfaces for Stay-at-home Living

L. Jones, Alaa Nousir, Renee (Xinyu) Chen, Anne Liu, Meara Donovan, Eliza Wallace, Sara Nabil
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引用次数: 1

Abstract

Pandemic lockdowns created new barriers for HCI researchers, but also provided new opportunities for deeper engagement and reflection in our home environments. Five participants were introduced with a design brief on self-isolation and engaged 12 of their friends and family in the design process of in-the-isolated-wild deployments. By analysing the design process, we found that –while ‘making from home’– our participants noticed the subtlety of the interactions and materials, the processes of remembrance embedded in craft, the use of imperfection and metaphor in homeware, and how ambient presence can provide emotional support. We then conducted a follow-up study on the benefits and limitations of using a crafting approach while ‘making from home’ and discuss the tensions that novices experience while designing TUIs in such an environment. Our results expand the literature by highlighting the benefits, limitations, and trade-offs of user-led design, DIY user empowerment, and harnessing the power of craft.
在家制作:关于为居家生活制作有形界面的思考
大流行封锁为HCI研究人员创造了新的障碍,但也为我们在家庭环境中更深入地参与和反思提供了新的机会。向五名参与者介绍了关于自我隔离的设计简报,并让他们的12名朋友和家人参与了在隔离环境中部署的设计过程。通过分析设计过程,我们发现,当“在家制作”时,我们的参与者注意到相互作用和材料的微妙之处,工艺中嵌入的记忆过程,家居用品中不完美和隐喻的使用,以及环境的存在如何提供情感支持。然后,我们对“在家制作”时使用手工制作方法的优点和局限性进行了后续研究,并讨论了新手在这种环境中设计ui时所遇到的紧张感。我们的结果通过强调用户主导设计、DIY用户授权和利用工艺力量的好处、限制和权衡来扩展文献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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