Portfolio Literacy and the Transition to Work for Graphic Design Graduates

IF 1.1 4区 教育学 0 ART
Carolyn Barnes, Nicole Wragg, Emma Fisher, Shivani Tyagi, Alison de Kruiff
{"title":"Portfolio Literacy and the Transition to Work for Graphic Design Graduates","authors":"Carolyn Barnes,&nbsp;Nicole Wragg,&nbsp;Emma Fisher,&nbsp;Shivani Tyagi,&nbsp;Alison de Kruiff","doi":"10.1111/jade.12407","DOIUrl":null,"url":null,"abstract":"<p>The graphic design industry has moved beyond its traditional focus on printed matter to deliver multidimensional communication projects involving diverse audiences and media channels. No longer a skills and service industry, graphic design increasingly informs business strategy and innovation processes, requiring heterogeneous expertise, a rigorous design process and the ability to work in multidisciplinary teams. This shift raises the question of the relevance of a traditional design portfolio in demonstrating employability, especially when employers prioritise generic over disciplinary and technical skills. Our article reports the results of a survey of 53 Australian employers of graphic design graduates on the role of the portfolio in evidencing design-specific and more general employability skills, capacities and attributes. The article provides a deeper understanding of the role of a portfolio in the transition to work. We argue that graphic design graduates need ‘portfolio literacy’—which combines insight in the curation of the portfolio and its use in interview performance—to demonstrate both core graphic design and creative skills and capacities in communication, collaboration and problem-solving. This significant know-how is best developed during graduates’ tertiary studies.</p>","PeriodicalId":45973,"journal":{"name":"International Journal of Art & Design Education","volume":"41 2","pages":"300-319"},"PeriodicalIF":1.1000,"publicationDate":"2022-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/jade.12407","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Art & Design Education","FirstCategoryId":"95","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/jade.12407","RegionNum":4,"RegionCategory":"教育学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 2

Abstract

The graphic design industry has moved beyond its traditional focus on printed matter to deliver multidimensional communication projects involving diverse audiences and media channels. No longer a skills and service industry, graphic design increasingly informs business strategy and innovation processes, requiring heterogeneous expertise, a rigorous design process and the ability to work in multidisciplinary teams. This shift raises the question of the relevance of a traditional design portfolio in demonstrating employability, especially when employers prioritise generic over disciplinary and technical skills. Our article reports the results of a survey of 53 Australian employers of graphic design graduates on the role of the portfolio in evidencing design-specific and more general employability skills, capacities and attributes. The article provides a deeper understanding of the role of a portfolio in the transition to work. We argue that graphic design graduates need ‘portfolio literacy’—which combines insight in the curation of the portfolio and its use in interview performance—to demonstrate both core graphic design and creative skills and capacities in communication, collaboration and problem-solving. This significant know-how is best developed during graduates’ tertiary studies.

Abstract Image

作品集素养和过渡到工作平面设计毕业生
平面设计行业已经超越了传统的对印刷品的关注,提供了涉及不同受众和媒体渠道的多维沟通项目。平面设计不再是一个技能和服务行业,它越来越多地为商业战略和创新过程提供信息,需要不同的专业知识、严格的设计过程和在多学科团队中工作的能力。这种转变提出了传统设计作品集在展示就业能力方面的相关性问题,特别是当雇主优先考虑通用技能而不是学科和技术技能时。我们的文章报告了一项对53位澳大利亚平面设计毕业生雇主的调查结果,调查结果是关于作品集在证明特定设计和更一般的就业技能、能力和属性方面的作用。本文提供了对项目组合在工作转换中的角色的更深入的理解。我们认为,平面设计专业的毕业生需要“作品集素养”——将作品集管理的洞察力和在面试中的运用结合起来——来展示核心的平面设计和创造性技能,以及沟通、协作和解决问题的能力。这种重要的技能在毕业生的高等教育中得到了最好的发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
CiteScore
2.90
自引率
9.10%
发文量
47
期刊介绍: The International Journal of Art & Design Education (iJADE) provides an international forum for research in the field of the art and creative education. It is the primary source for the dissemination of independently refereed articles about the visual arts, creativity, crafts, design, and art history, in all aspects, phases and types of education contexts and learning situations. The journal welcomes articles from a wide range of theoretical and methodological approaches to research, and encourages submissions from the broader fields of education and the arts that are concerned with learning through art and creative education.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信