鹰派读物:约翰·斯坦贝克和越南战争

IF 0.1 4区 艺术学 N/A FILM, RADIO, TELEVISION
Douglas Dowland
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引用次数: 0

摘要

摘要:本文探讨了约翰·斯坦贝克(John Steinbeck)的越南战争新闻,以此作为一种理解鹰派(那些支持军事干预的人)如何用影响理论家所谓的侵略“强理论”来解读世界的方式。我认为,鹰派的阅读把提喻的修辞戒律武器化了,以部分可以代表整体为前提,作为升级和入侵的手段。斯坦贝克的新闻报道表明,鹰派阅读不仅出现在鹰派对国外敌人的描述中,而且不可避免地成为描述国内抗议者的一种方式。鹰派的阅读表明,鹰派是如何不惜一切代价维护他强烈的侵略理论的,即使鹰派的描述延续了陈词滥调、刻板印象,最终是煽动。探索像斯坦贝克这样的鹰派读物,不仅是为了更好地理解鹰派是如何使用轻松的语言来制造强烈的依恋,也是为了更好地理解鹰派的语言是如何在国内制造分歧的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hawkish Reading: John Steinbeck and the Vietnam War
Abstract:This article explores John Steinbeck's Vietnam War journalism as a way of understanding how hawks—those who favor military intervention—read the world with what affect theorists would call a "strong theory" of aggression. I argue that hawkish reading weaponizes the rhetorical precepts of synecdoche, taking its premise that a part can represent a whole as a means to escalate and invade. Steinbeck's journalism demonstrates how hawkish reading occurs not only in a hawk's depiction of the enemy abroad, but inevitably becomes a way of depicting protestors at home. What hawkish reading shows is how the hawk is dedicated to maintaining his strong theory of aggression at any cost, even when the hawk's depictions perpetuate cliché, stereotype, and ultimately, demagoguery. To explore texts like Steinbeck's for their hawkish reading is to better understand not only how the hawk uses facile language to create intense attachments, but also to better understand how the hawk's language creates dissensus at home.
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来源期刊
FILM CRITICISM
FILM CRITICISM FILM, RADIO, TELEVISION-
CiteScore
0.20
自引率
0.00%
发文量
14
审稿时长
20 weeks
期刊介绍: Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.
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