{"title":"本质是看不见的","authors":"Rossella Stallone","doi":"10.1285/I22390359V43P285","DOIUrl":null,"url":null,"abstract":"Rossella Stallone testifies her personal experience as user and lover of audio described art works. Starting from the assumption that accessibility to arts represents a form of democracy, she describes accessibility as a social value to be defended and promoted. Furthermore, Stallone points out the aesthetic quality of audio described products and the necessity to abandon a merely welfare logic.","PeriodicalId":30935,"journal":{"name":"Lingue e Linguaggi","volume":"10 1","pages":"285-288"},"PeriodicalIF":0.0000,"publicationDate":"2021-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"L’essenziale è invisibile agli occhi\",\"authors\":\"Rossella Stallone\",\"doi\":\"10.1285/I22390359V43P285\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Rossella Stallone testifies her personal experience as user and lover of audio described art works. Starting from the assumption that accessibility to arts represents a form of democracy, she describes accessibility as a social value to be defended and promoted. Furthermore, Stallone points out the aesthetic quality of audio described products and the necessity to abandon a merely welfare logic.\",\"PeriodicalId\":30935,\"journal\":{\"name\":\"Lingue e Linguaggi\",\"volume\":\"10 1\",\"pages\":\"285-288\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-08-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Lingue e Linguaggi\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1285/I22390359V43P285\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Lingue e Linguaggi","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1285/I22390359V43P285","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Rossella Stallone testifies her personal experience as user and lover of audio described art works. Starting from the assumption that accessibility to arts represents a form of democracy, she describes accessibility as a social value to be defended and promoted. Furthermore, Stallone points out the aesthetic quality of audio described products and the necessity to abandon a merely welfare logic.
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