Q4 Arts and Humanities
R. Martinelli
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引用次数: 0

摘要

安德斯认为,极权主义产生于技术时代:政治极权主义虽然可怕,但只是技术极权主义的结果。科技世界的恐怖主义不是以暴力为代表,而是以娱乐为代表。娱乐的可怕之处表现在它无害的诱惑和解除武装的缺失,表现在它缺乏严肃性,使我们措手不及,毫无防备。人类在新媒体面前成为“大众隐士”,成为被动的世界消费者,愉快地被剥夺了选择的自由。在一个循规蹈矩的社会中,个人被剥夺了对自己不自由状况的意识。在这种社会环境中,极权主义进化,变得柔软,并导致了一种绝对优越的控制能力,与古典极权主义所实现的相比,因为它不再由政治机构行动者人格化,它不再使用恐怖,而是使用诱惑,使个人成为他们虚幻的虚假自由意识的牺牲品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Totalitarismo morbido in Günther Anders
According to G. Anders totalitarianism arises from the age of technology: political totalitarianism, though terrible, is only an effect of the technological one. The terrorism of technology world is not represented by the violence but rather by the entertainment. The frightening aspect of the entertainment is represented by its harmless seductive and disarming lacking, by its lack of seriousness which captures us unprepared and defenseless. The human being in front of the new media becomes a “mass hermit”, a passive world consumer, pleasantly deprived of his freedom of choice. Fully involved in a conformist society, the individual is robbed of the awareness of his condition of non freedom. In that social environment totalitarianism evolves, becomes soft and leads to an absolutely superior capacity of control compared to that achieved by the classical totalitarianism since it isn’t personified by a political institutional actor any longer, it does not use the terror but the lure, making individuals prey to their illusory false consciousness of freedom.
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Montesquieu.it
Montesquieu.it Arts and Humanities-History
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