感觉，变形和模仿。MichelSerres(最近)反射法中的新尸体

IF 0.3 0 PHILOSOPHY

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2018-01-01 DOI:10.13128/AISTHESIS-23281

O. Rignani

引用次数: 1

摘要

本文考察和讨论了米歇尔·塞雷斯在80年代表达的关于感官的重新发现的观点，以及他在90年代表达的关于身体的变形和模仿的观点，并将它们解读为一种同源性。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Tra sensi, metamorfismo e mimetismo. Il corponuovo nella (recente) riflessione di MichelSerres

The paper examines and discusses Michel Serres’ idea, expressed in the eighties, of the rediscovery of the senses and his idea expressed in the nineties of the metamorphism and mimicry of the body, reading them as a hominescence.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico PHILOSOPHY-

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

40 weeks

期刊介绍： The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.