{"title":"韦斯·安德森电影中的摄影资源。《法国快讯》的案例","authors":"Almudena Mata-Núñez","doi":"10.33732/ixc/13/01recurs","DOIUrl":null,"url":null,"abstract":"The connections between photography and film are located at an interdisciplinary intersection of the artistic languages of both media, simultaneously opposed and complementary. In this paper, we approach photography as a filmic resource tied to the detention of time and the creation of individual and collective memories in cinematic discourse. Specifically, we aim to examine the link between photography and cinema in Wes Anderson's work, taking his latest film, The French Dispatch (2021), as a case of study. Based on previous work by other authors, a model of analysis chart applicable to any film has been developed, which has allowed us to distinguish the photographic resources used by Anderson in the feature film examined. From the latter, it stands out the consideration of photography as the constitutive essence of the film through the detention of the filmic elements of the mise-en-scène. The analysis shows that the use of photography is a frequent narrative resource in Wes Anderson's films as part of the mise-enabyme and self-consciousness of representation, while at the same time presenting semiotic implications in relation to memory and time.","PeriodicalId":1,"journal":{"name":"Accounts of Chemical Research","volume":null,"pages":null},"PeriodicalIF":16.4000,"publicationDate":"2023-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"RECURSOS FOTOGRÁFICOS EN EL CINE DE WES ANDERSON. EL CASO DE ‘THE FRENCH DISPATCH’\",\"authors\":\"Almudena Mata-Núñez\",\"doi\":\"10.33732/ixc/13/01recurs\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The connections between photography and film are located at an interdisciplinary intersection of the artistic languages of both media, simultaneously opposed and complementary. In this paper, we approach photography as a filmic resource tied to the detention of time and the creation of individual and collective memories in cinematic discourse. Specifically, we aim to examine the link between photography and cinema in Wes Anderson's work, taking his latest film, The French Dispatch (2021), as a case of study. Based on previous work by other authors, a model of analysis chart applicable to any film has been developed, which has allowed us to distinguish the photographic resources used by Anderson in the feature film examined. From the latter, it stands out the consideration of photography as the constitutive essence of the film through the detention of the filmic elements of the mise-en-scène. The analysis shows that the use of photography is a frequent narrative resource in Wes Anderson's films as part of the mise-enabyme and self-consciousness of representation, while at the same time presenting semiotic implications in relation to memory and time.\",\"PeriodicalId\":1,\"journal\":{\"name\":\"Accounts of Chemical Research\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":16.4000,\"publicationDate\":\"2023-01-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Accounts of Chemical Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.33732/ixc/13/01recurs\",\"RegionNum\":1,\"RegionCategory\":\"化学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"CHEMISTRY, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Accounts of Chemical Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33732/ixc/13/01recurs","RegionNum":1,"RegionCategory":"化学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CHEMISTRY, MULTIDISCIPLINARY","Score":null,"Total":0}
RECURSOS FOTOGRÁFICOS EN EL CINE DE WES ANDERSON. EL CASO DE ‘THE FRENCH DISPATCH’
The connections between photography and film are located at an interdisciplinary intersection of the artistic languages of both media, simultaneously opposed and complementary. In this paper, we approach photography as a filmic resource tied to the detention of time and the creation of individual and collective memories in cinematic discourse. Specifically, we aim to examine the link between photography and cinema in Wes Anderson's work, taking his latest film, The French Dispatch (2021), as a case of study. Based on previous work by other authors, a model of analysis chart applicable to any film has been developed, which has allowed us to distinguish the photographic resources used by Anderson in the feature film examined. From the latter, it stands out the consideration of photography as the constitutive essence of the film through the detention of the filmic elements of the mise-en-scène. The analysis shows that the use of photography is a frequent narrative resource in Wes Anderson's films as part of the mise-enabyme and self-consciousness of representation, while at the same time presenting semiotic implications in relation to memory and time.
期刊介绍:
Accounts of Chemical Research presents short, concise and critical articles offering easy-to-read overviews of basic research and applications in all areas of chemistry and biochemistry. These short reviews focus on research from the author’s own laboratory and are designed to teach the reader about a research project. In addition, Accounts of Chemical Research publishes commentaries that give an informed opinion on a current research problem. Special Issues online are devoted to a single topic of unusual activity and significance.
Accounts of Chemical Research replaces the traditional article abstract with an article "Conspectus." These entries synopsize the research affording the reader a closer look at the content and significance of an article. Through this provision of a more detailed description of the article contents, the Conspectus enhances the article's discoverability by search engines and the exposure for the research.