{"title":"手提箱系列:在更紧急的时代,一个持久的参与式戏剧制作项目","authors":"Dr Megan Upton","doi":"10.1080/14452294.2021.1978144","DOIUrl":null,"url":null,"abstract":"ABSTRACT Malthouse Theatre’s The Suitcase Series celebrated ten years in 2020. As a participatory theatre making program for young people in Years 9 and 10 of secondary education, it holds a unique position in the Victorian and, arguably, the Australian theatre education landscape. Since 2010 Malthouse Theatre has commissioned an original script by a new playwright every two years, then challenging young people to give voice to their thoughts and feelings to the issue through the interrelated roles of creator-performer-audience-critical peer. This paper offers critical insight into the origin, intentions, process, and social and artistic impacts of the program across ten years. It positions the Malthouse as a key contributor to the field of participatory theatre programs in Australia, and considers how theatre can create ‘something very forceful, something that we believe, then offer to students in a way that doesn’t crush them’ (Lynch, 2010).","PeriodicalId":41180,"journal":{"name":"NJ-Drama Australia Journal","volume":null,"pages":null},"PeriodicalIF":1.0000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The suitcase series: an enduring participatory theatre making program in even more urgent times\",\"authors\":\"Dr Megan Upton\",\"doi\":\"10.1080/14452294.2021.1978144\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Malthouse Theatre’s The Suitcase Series celebrated ten years in 2020. As a participatory theatre making program for young people in Years 9 and 10 of secondary education, it holds a unique position in the Victorian and, arguably, the Australian theatre education landscape. Since 2010 Malthouse Theatre has commissioned an original script by a new playwright every two years, then challenging young people to give voice to their thoughts and feelings to the issue through the interrelated roles of creator-performer-audience-critical peer. This paper offers critical insight into the origin, intentions, process, and social and artistic impacts of the program across ten years. It positions the Malthouse as a key contributor to the field of participatory theatre programs in Australia, and considers how theatre can create ‘something very forceful, something that we believe, then offer to students in a way that doesn’t crush them’ (Lynch, 2010).\",\"PeriodicalId\":41180,\"journal\":{\"name\":\"NJ-Drama Australia Journal\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.0000,\"publicationDate\":\"2021-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"NJ-Drama Australia Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14452294.2021.1978144\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"NJ-Drama Australia Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14452294.2021.1978144","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The suitcase series: an enduring participatory theatre making program in even more urgent times
ABSTRACT Malthouse Theatre’s The Suitcase Series celebrated ten years in 2020. As a participatory theatre making program for young people in Years 9 and 10 of secondary education, it holds a unique position in the Victorian and, arguably, the Australian theatre education landscape. Since 2010 Malthouse Theatre has commissioned an original script by a new playwright every two years, then challenging young people to give voice to their thoughts and feelings to the issue through the interrelated roles of creator-performer-audience-critical peer. This paper offers critical insight into the origin, intentions, process, and social and artistic impacts of the program across ten years. It positions the Malthouse as a key contributor to the field of participatory theatre programs in Australia, and considers how theatre can create ‘something very forceful, something that we believe, then offer to students in a way that doesn’t crush them’ (Lynch, 2010).