《Patriagonia》，Ivonne conuecar著。身体/领土的地理诗学反抗

IF 0.3 0 PHILOSOPHY

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2020-12-01 DOI:10.7764/68.20

K. Oyarzún

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引用次数: 1

摘要

《帕特里亚哥尼亚》(2014)是一本由韦希勒-智利诗人Ivonne Conuecar写的诗集，从女权主义和酷儿、交叉和非殖民化的角度，深入研究了她在这个版本中收集的三篇文章的美学:《Catabatica》(2011)、《Adiabatica》(2009)和《Anabatica》(2014年才出版)。我们探索身份、领土和民族国家的非二元关系的编织，作为一系列测地线和情色、地缘和政治反叛。诗意的演讲者讲述了火花和破坏性的记忆转移，在包括身体，异父家庭和新自由主义国家的资本中心的多重权力组合中。

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Patriagonia, de Ivonne Coñuecar. Revuelta geopoética de cuerpo/territorio

This reading of Patriagonia (2014), a collection of poems written by the Huichille-Chilean poet, Ivonne Conuecar, delves into the aesthetics of three of her texts gathered in this edition: Catabatica (2011), Adiabatica (2009) and Anabatica (unpublished until 2014) from a feminist and queer, intersectional and decolonial perspective. We explore the weavings of non-binary relationships of identity, territory and nation-state, as a series of geodesic and erotic, geopoetic and political revolts. The poetic speaker accounts for sparks and disruptive memory shifts, amidst multiple assemblages of power that encompass the body, the heteropatriarchal family and the capital centrality of the neoliberal state.

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来源期刊

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico PHILOSOPHY-

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

40 weeks

期刊介绍： The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.