Pub Date : 2016-12-01 DOI:10.3176/ARCH.2016.2.01
T. Jonuks
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引用次数: 6

摘要

在二十世纪早期,在爱沙尼亚东南部的帕尔努河发现了一个鹿角人形雕像(PaMu 1a: 501)(图1)。这是爱沙尼亚罕见的考古发现之一,从第一次出版(Ebert 1913;Gluck 1914)对欧洲考古学进行了更广泛的研究(Tallgren 1922;公子1925;Gimbutas 1956)。由于某些原因,在本世纪下半叶,人们对这个物体失去了兴趣。在一项关于爱沙尼亚石器时代宗教的研究中(Jaanits 1961),它只是被偶尔提到,而在爱沙尼亚史前史(Eesti esiajalugu, Jaanits et al. 1982)中,它根本没有被提及,这是几十年来爱沙尼亚考古学的一项主要研究。最有可能的是,这种随机使用的原因之一是缺乏日期,因此与任何特定的考古时期和文化的推测关系。这个10厘米高的人体雕塑是用一个麋鹿角做成的,制作方法非常简单。可以区分两种不同的处理方式:切割以产生更锐利的边缘,平滑以表达更柔和的轮廓。膝盖、腰部和颈部有三个宽槽,有一个锋利的切口,可以显示平坦的乳房和下巴。嘴巴被切开了,圆下巴露出来了。表面和鼻鼻都是通过抛光设计的。眼睛没有被描绘出来,这使得雕像与所有其他石器时代的雕像不同。中石器时代晚期-新石器时代早期东欧森林地区的人类雕像虽然年龄稍小,但总是有眼睛和/或强壮而突出的眉毛(Butrimas 2000,12)。眼睛上通常有钻孔,但似乎单靠眉毛也足够好了(见图4,6,7,9)。帕尔努雕像的脸只有鼻子和嘴巴,剩下脸的上半部分。除了眼睛,雕塑也缺少身体的细节。其他来自东欧北部的人类雕像都在手上做了线条或雕刻,而在帕尔努的例子中,甚至没有尝试过。此外,缺少腿,因此Marija Gimbutas将雕像描述为“只有一条腿”(Gimbutas 1956, 189)。根据Gimbutas的说法,在石器时代东欧森林地区的艺术中,没有腿和手是很常见的(同上)。然而,这种说法并不成立,大多数石器时代的人类雕像上都有四肢的标记,或多或少都是精心设计的。这个雕像是用鹿角枝的尖端做成的。我们只能同意爱德华·格拉克(Eduard Gluck)的说法,即鹿角的枝干在雕刻时较长,直到雕刻完成后才被从鹿角上剪短(并折断)(格拉克1914,265)。由于这个原因,鱼头的表面一直不平整,形成了沟槽。目前还不知道这个小雕像是什么时候被发现的。它最初是由马克斯·艾伯特(1913,520)作为弗里德里希·拉姆巴赫私人收藏的一个例子提到的,但一年后,爱德华·格拉克(1914,265 f.)提出了适当的出版和描述。根据他们的说法,可以假设这个小雕像是在1911年或1912年发现的。这个鹿角物品是在帕尔努镇的帕尔努河底发现的,位于曾经的砖厂Koksi (Gluck 1914, 266)的上游,在所谓的波卡溪谷中,这是爱沙尼亚石器时代骨头和鹿角物品发现最丰富的地方之一。这些发现主要是在20世纪初收集的,当时人们从河底开采沙子和砾石。在以铁铲为基础的采石过程中,从波卡溪中发现了一批丰富的古代文物。这个网站,开创了许多私人收藏的创作,包括狩猎和渔具,也有斧头,加工和未加工的骨头和鹿角等. ...
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A Mesolithic Human Figurine from River Parnu, South-West Estonia: A Century-Old Puzzle of Idols, Goddesses and Ancestral symbols/Inimkuju Parnu Joest-Sajandi Jagu Iidoleid, Jumalannasid Ja Esivanemaid
Introduction In the early years of the twentieth century, an antler human figurine (PaMu 1 A: 501) was found in River Parnu, south-east Estonia (Fig. 1). It is one of the rare archaeological finds from Estonia that already from the very first publications (Ebert 1913; Gluck 1914) reached several wider studies about European archaeology (Tallgren 1922; Childe 1925; Gimbutas 1956). Due to some reasons, interest in the object was lost during the second part of the century. It was mentioned only passingly in a study about the Stone Age religion in Estonia (Jaanits 1961) and it has not been brought up at all in Eesti esiajalugu (Estonian Prehistory, Jaanits et al. 1982), which was a major study of Estonian archaeology for decades. Most likely, one of the reasons for such a random use was the absence of dating and therefore a speculative relationship with any specific archaeological period and culture. [FIGURE 1 OMITTED] The figurine The 10 cm tall human sculpture is made of an elk antler and it was created with only very simple means. Two different ways of processing can be distinguished: cutting to create sharper edges and smoothing to express softer contours. With three wide grooves, the knees, waist and neck have been marked, and with a sharp cut the flat breast and chin are shown. The mouth has been cut in so that the round chin emerges. The face together with the hooknose has been designed by polishing. Eyes have not been depicted and this makes the statuette different from all other Stone Age figurines. Although slightly younger, the human figurines from the East European forest zone of the Late Mesolithic-Early Neolithic always have eyes and/or strong and protruding eyebrows (Butrimas 2000, 12). Eyes are marked usually with drilled holes, but it seems that the eyebrows alone were also good enough for that purpose (see Fig. 4: 6, 7, 9). The face of the Parnu figurine has only a nose and a mouth, leaving the upper part of the face plane. In addition to the eyes, the sculpture is also missing details of the body. While the rest of the human figurines from the northern part of Eastern Europe have their hands marked with lines or carved, then in the case of the Parnu example it had not even been tried. Also legs are missing, and therefore Marija Gimbutas has characterized the figurine as "with a single leg" (Gimbutas 1956, 189). According to Gimbutas, the absence of legs and hands is common in the art of the Stone Age East European forest zone (ibid.). Still, the claim does not hold true and limbs, either more or less elaborated, have been marked in the majority of human figurines dated to the Stone Age. The figure has been made from the tip of an antler branch. One can only agree with the suggestion by Eduard Gluck that the antler branch was longer at the time of carving and it was used as a handle until it was cut (and broken) shorter from the pate after it had been finished (Gluck 1914, 265). Because of that the surface of the pate remained uneven and a groove was formed. Find context It is not known when exactly the figurine was found. It was first mentioned by Max Ebert (1913, 520) as an example from the private collection of Friedrich Rambach, but the proper publication and description was presented by Eduard Gluck a year later (1914, 265 f.). According to them, it can be assumed that the figurine was found either in 1911 or 1912. The antler object was found from the bottom of River Parnu in the town of Parnu, upstream of the one-time brick factory Koksi (Gluck 1914, 266), in the so-called Pauka crook, which is one of the richest find places of Estonian Stone Age bone and antler objects. The finds were collected mainly at the beginning of the 20th century, when sand and gravel was quarried from the bottom of the river. During the shovel-based quarrying, a rich collection of ancient artefacts was found from the Pauka crook. This site, which initiated the creation of many privately held collections, contained both hunting and fishing gear, but also axes, processed and unprocessed bone and antler, etc. …
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