工艺过程中社会阻力的表现

Q1 Arts and Humanities
Stefanía Castelblanco Pérez
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引用次数: 1

摘要

本文旨在分析可能包含社会、文化、生态或政治抵抗的内在意义的工艺品。研究了来自哥伦比亚Iku和Nasa土著人民以及瑞典萨米人的制造者的创作过程。本文从理论上反思了物体的交流能力及其隐含意义,以及抵抗和工艺的基本概念,并简要描述了Iku, Nasa和萨米土著人民。通过对11位工匠的访谈,本文分析了所研究的手工艺过程中可以被视为抵抗的表现形式,并提出了手工艺物品如何具有传达社会、文化、政治和生态抵抗的能力的最终反思。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Manifestations of social resistance in craft processes
This paper aims to analyze craft objects that could contain inherent meanings of social, cultural, ecological or political resistance. The creative processes of makers from the Iku and Nasa indigenous peoples of Colombia and the Sami people of Sweden have been studied. The paper encompasses a theoretical reflection on the communicative capacity of objects and their implicit meanings as well as of the basic concepts of resistance and craft paired with a brief description of the Iku, Nasa and Sami indigenous peoples. An analysis of the manifestations that could be considered as resistance in the studied artisanal processes is brought forward through 11 interviews with artisans and the paper proposes a final reflection on how craft objects can have the capacity to communicate social, cultural, political and ecological resistance.
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来源期刊
FormAkademisk
FormAkademisk Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
11
审稿时长
15 weeks
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