中石器时代的皮影戏?探索来自芬兰的兽形野生驯鹿(Rangifer tarandus)鹿角人工制品的表演属性

IF 0.7 4区 历史学 0 ARCHAEOLOGY
Marja Ahola, Katri Lassila
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引用次数: 2

摘要

纵观历史,人类一直在互相讲故事。尽管随着时间的推移,这些故事大部分已经消失了,但它们有时会留下一些材料,例如以岩石艺术的形式。然而,岩石艺术可能不是史前讲故事实践的唯一物化。相反,如果重新激活,其他史前文物也可能使过去的讲故事的做法复活。在本文中,我们研究了中石器时代晚期芬兰(公元前6800-5200 cal)讲故事的方式。作为一个案例研究,我们研究了来自芬兰南部的兽形野生驯鹿(Rangifer tarandus)鹿角人工制品,即所谓的“Lepaa人工制品”,采用实验考古学、3D技术和艺术研究传统产生的多学科方法。因此,我们认为中石器时代的讲故事可能与仪式习俗纠缠在一起,并伴有类似于传统皮影戏的表演。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mesolithic shadow play? Exploring the performative attributes of a zoomorphic wild reindeer (Rangifer tarandus) antler artefact from Finland
ABSTRACT Throughout history, humans have told stories to one another. Although these stories have largely disappeared over the course of time, they have sometimes left material remains, for instance in the form of rock art. However, rock art might not be the only materialization of prehistoric storytelling practices. On the contrary, if made active again, other prehistoric artefacts might also bring past storytelling practices back to life. In this paper, we examine how storytelling might have taken place in Late Mesolithic Finland (c. 6800–5200 cal BCE). As a case study, we investigate a zoomorphic wild reindeer (Rangifer tarandus) antler artefact from southern Finland, the so-called ‘Lepaa artefact’, with multidisciplinary methods arising from the traditions of experimental archaeology, 3D technologies, and artistic research. As a result, we suggest that Mesolithic storytelling might have been entangled with ritual practices and accompanied by performances that resemble traditional shadow theatre.
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来源期刊
CiteScore
1.60
自引率
0.00%
发文量
23
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