先发制人的证词:卢旺达种族灭绝的文学见证

Michael C. Montesano
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引用次数: 4

摘要

本文考察了文学作品在卢旺达种族灭绝和1998年“为记忆而写作”项目的背景下作为悲剧的见证,在该项目中,十位非洲作家访问了卢旺达,想要为1994年发生的事情作证。本文考察了对文学证言价值的不同看法,特别是帕特里斯·恩加南的“先发制人写作”观点。恩加南告诫非洲作家要预防未来的悲剧,而不是为过去的创伤提供证词。通过阅读两位“为记忆而写作”项目作者的作品,鲍里斯·迪奥普的《穆兰比》、《遗骨书》和v尼克·塔乔的《Imana的阴影:卢旺达的心脏旅行》,我认为文学不仅可以还原种族灭绝等非人道事件,还可以通过揭露暴力可能发生的条件,并设想一种建设性的前进方式,来预防未来的悲剧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Preemptive Testimony: Literature as Witness to Genocide in Rwanda
This article examines the work of literature as testimony to tragedy in the context of the Rwandan genocide and the 1998 “Writing in Duty to Memory” project, in which ten African authors visited Rwanda with the idea of bearing witness to what happened in 1994. The article surveys varying outlooks on the value of literary testimony, particularly Patrice Nganang’s idea of preemptive writing. Nganang admonishes African authors to preempt future tragedy rather than offer testimonies to past trauma. By reading the works of two “Writing in Duty to Memory” project authors, Boris Diop’s Murambi, the Book of Bones and Véronique Tadjo’s The Shadow of Imana: Travels in the Heart of Rwanda, I argue that literature can not only restore the inhumanity of events like genocide, but also preempt future tragedy by exposing the conditions that make violence possible and imagining a way to move forward constructively.
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