伦勃朗和以色列的《皮德拉·格洛洛萨》(1655):《清算》

IF 0.1 3区社会学 0 HUMANITIES, MULTIDISCIPLINARY

STUDIA ROSENTHALIANA Pub Date : 2021-01-01 DOI:10.5117/SR2021.1.002.NADL

Steven M. Nadler

{"title":"伦勃朗和以色列的《皮德拉·格洛洛萨》(1655):《清算》","authors":"Steven M. Nadler","doi":"10.5117/SR2021.1.002.NADL","DOIUrl":null,"url":null,"abstract":"Abstract This article discusses Rembrandt’s etchings for Menasseh ben Israel’s Piedra Gloriosa (1655). After a brief review of the content of Menasseh’s book and of the scholarly discussion over an alleged collaboration between Menasseh and Rembrandt, the article examines how many known copies of the book actually have Rembrandt’s etchings, and whether their replacement by engravings by another artist represents a second edition.","PeriodicalId":53197,"journal":{"name":"STUDIA ROSENTHALIANA","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Rembrandt and the Illustrations for Menasseh ben Israel’s Piedra Gloriosa (1655): A Reckoning\",\"authors\":\"Steven M. Nadler\",\"doi\":\"10.5117/SR2021.1.002.NADL\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article discusses Rembrandt’s etchings for Menasseh ben Israel’s Piedra Gloriosa (1655). After a brief review of the content of Menasseh’s book and of the scholarly discussion over an alleged collaboration between Menasseh and Rembrandt, the article examines how many known copies of the book actually have Rembrandt’s etchings, and whether their replacement by engravings by another artist represents a second edition.\",\"PeriodicalId\":53197,\"journal\":{\"name\":\"STUDIA ROSENTHALIANA\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"STUDIA ROSENTHALIANA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5117/SR2021.1.002.NADL\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIA ROSENTHALIANA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/SR2021.1.002.NADL","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}

引用次数: 0

摘要

本文讨论了伦勃朗1655年为以色列的《彼得·格洛洛萨》(Piedra Gloriosa)创作的版画。在简要回顾了梅纳西的书的内容以及关于梅纳西和伦勃朗之间所谓的合作的学术讨论之后，文章检查了有多少已知的书副本实际上有伦勃朗的蚀刻版画，以及它们被另一位艺术家的版画所取代是否代表了第二版。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Rembrandt and the Illustrations for Menasseh ben Israel’s Piedra Gloriosa (1655): A Reckoning

Abstract This article discusses Rembrandt’s etchings for Menasseh ben Israel’s Piedra Gloriosa (1655). After a brief review of the content of Menasseh’s book and of the scholarly discussion over an alleged collaboration between Menasseh and Rembrandt, the article examines how many known copies of the book actually have Rembrandt’s etchings, and whether their replacement by engravings by another artist represents a second edition.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

STUDIA ROSENTHALIANA HUMANITIES, MULTIDISCIPLINARY-

自引率

0.00%

发文量