“我们将共同讨论未来和梦想”:战时哈尔科夫城市空间的文化艺术生活和博物馆化

Olha Vovk
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摘要

这篇文章描述了2022年2月24日之后,哈尔科夫艺术家(包括专业和业余艺术家)继续在前线大都市生活和创作的经历。我们也注意到一些完全或部分发生在哈尔科夫以外的活动,这些活动旨在展示哈尔科夫,其组织者和目标受众与哈尔科夫直接相关。这篇文章表明,在这段时间里,哈尔科夫的美术创作仍在继续,音乐作品得以演出,戏剧作品得以首演。艺术家个人和集体都发起了创作活动,并举办了艺术节。艺术实践影响了大都市的生活,成为记录战争记忆的一种形式。作者指出,在持续的军事危险条件下进行创造性工作对参与者有心理治疗作用,帮助他们度过创伤情况并支持士气。艺术家们在他们的作品中反映了他们亲眼目睹的事件,也偶尔使用战争产生的物质物品(如炮弹碎片)来创造新的艺术品——“战壕艺术”的例子。重要的是,创意活动发生在标志性和可识别的城市地点,例如地铁站或受损的历史和建筑地标附近。本文探讨了在俄罗斯全面侵略时期,文化艺术实践在哈尔科夫城市空间博物馆化过程中的作用。这表明,在战争的头几个月,艺术家们开始反思这样一个事实,即他们的创作实践将被纳入未来的博物馆展览,并为哈尔科夫城市空间中新的“记忆场所”的出现做出贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“We Will Discuss the Future and Dream Together”: Cultural and Artistic Life and the Museumification of Urban Space in Wartime Kharkiv
The article describes the experience of Kharkiv artists (both professional and amateur) who continued to live and create in the front-line metropolis after February 24, 2022. Attention is also given to several events that physically took place entirely or in part outside Kharkiv, but were aimed at the presentation of the city, with their organizers and target audience directly connected with it. The article shows that the making of fine art went on in Kharkiv during this time, musical works were performed, and theatrical productions were premiered. Both individual artists and collectives launched creative initiatives, and art festivals were held. Artistic practices influenced the life of the metropolis and became one of the forms of recording the memory of war. The author points out that creative work under conditions of persisting military danger had a psychotherapeutic effect on the participants, helping them to get through traumatic situations and supporting morale. Artists reflected in their work events they witnessed firsthand, and also occasionally used material objects generated by the war (such as shell fragments) to create new artistic artifacts — examples of “trench art.” Importantly, creative acts took place in iconic and recognizable city locations — for instance, at subway stations or near damaged historical and architectural landmarks. The article investigates the role of cultural and artistic practices in the process of the museumification of the urban space of Kharkiv during the full-scale Russian aggression. It is shown that already in the first months of the war, artists began to reflect on the fact that their creative practices will be included in future museum exhibits, as well as contribute to the emergence of new “sites of memory” in the urban space of Kharkiv.
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