电影《潘雅林·卡哈亚》中性骚扰表现的符号学分析

Kirana Pinkan Permata Rudy, Christina Nur Wijayanti
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引用次数: 0

摘要

本研究的目的是描述电影“Penyalin Cahaya”中包含的性骚扰表现。本文采用的研究方法是描述性定性的,以罗兰·巴特的符号学分析理论为基础,着重研究外延、内涵和神话的意义。研究结果发现,电影中有12(12)个场景包含性骚扰的表现,例如窃取个人照片,在实施性骚扰之前给受害者下药,裸体,拍摄受害者的身体以及未经受害者同意将其视觉效果用于某些目的。对12(12)个场景的分析结果也描述了与性骚扰相关的社会问题的表征,即指责受害者的文化,不基于受害者性别的性骚扰,规范受害者着装和行为方式的父权文化,滥用权力,受害者害怕被社会污名化
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Semiotic analysis of sexual harassment representation in the film “Penyalin Cahaya”
he purpose of this study is to describe what representations of sexual harassment are contained in the film "Penyalin Cahaya". The research method used is descriptive qualitative with Roland Barthes’ semiotic analysis theory which focuses on the meaning of denotation, connotation, and myth. The results of the study found there are 12 (twelve) scenes that contain representations of sexual harassment in the film, such as stealing personal photos, drugging the victim before committing sexual harassment, nudity, photographing the victim's body and using its visuals for certain purposes without the consent of the victim. The results of the analysis of the 12 (twelve) scenes also describe representations of social issues related to sexual harassment, namely the culture of victim-blaming, sexual harassment that is not based on the victim’s gender, patriarchal culture in regulating the victim’s way to dress and behave, abuse of power, and the victim’s fear being stigmatized by society
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