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Burelle pushes against a long-time narrative of Quebec as a colonized minority, and makes visible the white possessive logic that connects English and French Canadian colonial projects, highlighting how Quebec’s history of suffering and practices of selective remembering have been used to assert a Québécois de souche nationalist project. Through her analysis of a range of cultural and political performances, Burelle exposes the discursive and performative strategies of dispossession of Indigenous peoples that have made this project possible, arguing throughout that Quebec’s imagined community is still unable “to accommodate (let alone comprehend) the concept of Indigenous sovereignty” (16). As a settler scholar, Burelle does not shy away from her positionality as Québécoise de souche, and offers a range of strategies for settler scholars to engage productively with their own accountability. 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引用次数: 0
摘要
《在争议土地上的相遇》从行为研究的角度加入了关于非殖民化的挑战和可能性的持续对话,对整个美洲的非殖民化思想和实践做出了重要贡献。具体来说,它提供了一个非常需要的调查,用英语,关于非殖民化和与魁北克人主权主张有关的表现,从而拓宽了这一对话。该项目揭示了魁北克是一个主权竞争的地方,重点关注土著人民和布雷勒所说的法国quacei -早期法国定居者的法语白人后裔之间的当代相遇,这些殖民者被英国人和后来的盎格鲁加拿大人殖民。Burelle推翻了魁北克作为殖民地少数民族的长期叙述,并揭示了连接英国和法属加拿大殖民项目的白人占有逻辑,突出了魁北克的苦难历史和选择性记忆的做法如何被用来维护quacei - ssouche民族主义项目。通过她对一系列文化和政治表演的分析,Burelle揭示了剥夺土著人民的话语和表演策略,这些策略使这个项目成为可能,她认为魁北克想象中的社区仍然无法“适应(更不用说理解)土著主权的概念”(16)。作为一名移民学者,Burelle并没有回避她作为qusambsamicise de souche的地位,并为移民学者提供了一系列策略,使他们能够有效地承担自己的责任。Burelle的引言明确地概述了她在命名和引用方面的选择,承认命名的政治和定位理论与所讨论的地方和民族的重要性。
Julie Burelle, Encounters on Contested Lands. Indigenous Performances of Sovereignty and Nationhood in Québec
Encounters on Contested Lands joins an ongoing conversation around the challenges and possibilities of decolonization from the perspective of Performance Studies, and represents an important contribution to decolonial thought and practice across the Americas. Specifically, it broadens this conversation by offering a much-needed investigation, in English, of decolonization and performance read in relation to Quebecois claims of sovereignty. The project reveals Quebec as a place of competing sovereignties, focusing on contemporary encounters between Indigenous peoples and what Burelle calls the French Québécois de souche—French-speaking white descendants of early French settlers, who were colonized by the British and later by Anglo Canadians. Burelle pushes against a long-time narrative of Quebec as a colonized minority, and makes visible the white possessive logic that connects English and French Canadian colonial projects, highlighting how Quebec’s history of suffering and practices of selective remembering have been used to assert a Québécois de souche nationalist project. Through her analysis of a range of cultural and political performances, Burelle exposes the discursive and performative strategies of dispossession of Indigenous peoples that have made this project possible, arguing throughout that Quebec’s imagined community is still unable “to accommodate (let alone comprehend) the concept of Indigenous sovereignty” (16). As a settler scholar, Burelle does not shy away from her positionality as Québécoise de souche, and offers a range of strategies for settler scholars to engage productively with their own accountability. Burelle’s introduction explicitly outlines her choices in nomenclature and citation, acknowledging the politics of naming and the importance of positioning theory in relation to the places and peoples discussed.
期刊介绍:
Theatre Research in Canada is published twice a year under a letter of agreement between the Graduate Centre for the Study of Drama, University of Toronto, the Association for Canadian Theatre Research, and Queen"s University.