为好莱坞表演:埃斯特班Ramírez的加勒比/加勒比(2004)的殖民主义和旅游形象

Q2 Arts and Humanities
L. Harvey-Kattou
{"title":"为好莱坞表演:埃斯特班Ramírez的加勒比/加勒比(2004)的殖民主义和旅游形象","authors":"L. Harvey-Kattou","doi":"10.1386/SLAC.15.2.249_1","DOIUrl":null,"url":null,"abstract":"This article problematizes US-Costa Rican cultural and ideological relations through an analysis of the film Caribe / Caribbean (2004) by Esteban Ramirez, positing that the film unconsciously invites an international audience to colonize it via the tourist gaze. Beginning by considering Ramirez’s anti-imperialist stance within the film’s plot which underscores the sovereignty of the Central American nation, I argue that these aims are undone through the exoticization of space and place. This article therefore goes on to analyse the ways in which the tropical image of the nation is seen to be internalized by the film, as well as considering the hegemonic Hollywood tropes of ethnicity and gender which are mimicked and performed.","PeriodicalId":40780,"journal":{"name":"Studies in Spanish & Latin American Cinemas","volume":"1995 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Performing for Hollywood: Coloniality and the tourist image in Esteban Ramírez’s Caribe/Caribbean (2004)\",\"authors\":\"L. Harvey-Kattou\",\"doi\":\"10.1386/SLAC.15.2.249_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article problematizes US-Costa Rican cultural and ideological relations through an analysis of the film Caribe / Caribbean (2004) by Esteban Ramirez, positing that the film unconsciously invites an international audience to colonize it via the tourist gaze. Beginning by considering Ramirez’s anti-imperialist stance within the film’s plot which underscores the sovereignty of the Central American nation, I argue that these aims are undone through the exoticization of space and place. This article therefore goes on to analyse the ways in which the tropical image of the nation is seen to be internalized by the film, as well as considering the hegemonic Hollywood tropes of ethnicity and gender which are mimicked and performed.\",\"PeriodicalId\":40780,\"journal\":{\"name\":\"Studies in Spanish & Latin American Cinemas\",\"volume\":\"1995 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Spanish & Latin American Cinemas\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/SLAC.15.2.249_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Spanish & Latin American Cinemas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/SLAC.15.2.249_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

摘要

本文通过分析埃斯特班·拉米雷斯(Esteban Ramirez)的电影《加勒比/加勒比》(Caribe / Caribbean, 2004),提出了美国与哥斯达黎加的文化和意识形态关系问题,认为这部电影无意识地邀请国际观众通过游客的目光来殖民它。首先考虑拉米雷斯在电影情节中强调中美洲国家主权的反帝国主义立场,我认为这些目标通过空间和地点的异国化而被破坏。因此,本文将继续分析这个国家的热带形象是如何被电影内化的,并考虑到好莱坞对种族和性别的霸权比喻被模仿和表演。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Performing for Hollywood: Coloniality and the tourist image in Esteban Ramírez’s Caribe/Caribbean (2004)
This article problematizes US-Costa Rican cultural and ideological relations through an analysis of the film Caribe / Caribbean (2004) by Esteban Ramirez, positing that the film unconsciously invites an international audience to colonize it via the tourist gaze. Beginning by considering Ramirez’s anti-imperialist stance within the film’s plot which underscores the sovereignty of the Central American nation, I argue that these aims are undone through the exoticization of space and place. This article therefore goes on to analyse the ways in which the tropical image of the nation is seen to be internalized by the film, as well as considering the hegemonic Hollywood tropes of ethnicity and gender which are mimicked and performed.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.30
自引率
0.00%
发文量
14
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信