Alētheia列昂蒂尼的戈尔吉亚。摘自《真理的历史》

Q4 Arts and Humanities
Peitho Pub Date : 2022-12-23 DOI:10.14746/pea.2022.1.3
Lars Leeten
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引用次数: 0

摘要

人们通常认为,在列昂蒂尼的《戈尔吉亚》中,alētheia或“真理”的概念属于修辞艺术。沿着这些思路,它通常被理解为一种美学概念,甚至仅仅是语言的“装饰”。与此相反,本文认为有机alētheia是道德教育实践中言语修辞的可定义标准。虽然徽标的“真实性”确实必须在美学基础上进行评估,但alētheia的潜在概念主要是道德的。对戈尔吉亚来说,当言语通过表达美德来促进美德时,它就是“真实的”。《海伦的赞美诗》开篇所述的原则,即说话者必须“赞美值得赞美的,责备该责备的”,准确地解释了对alētheia的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Alētheia in Gorgias of Leontini. An Excerpt from the History of Truth
It is often assumed that the concept of alētheia, or ‘truth’, in Gorgias of Leontini belongs to the art of rhetoric. Along these lines, it is usually understood as an aesthetic concept or even a mere ‘adornment’ of speech. In this paper, it is argued, by contrast, that Gorgianic alētheia is a definable criterion of speech figuring in the practice of moral educa­tion. While the ‘truth’ of a logos indeed has to be assessed on aesthetic grounds, the underlying concept of alētheia is predominantly ethical. For Gorgias, speech is ‘true’ when it promotes virtue (aretē) by being expressive of virtue. The principle stated in the opening passage of the Encomium of Helen, that a speaker has ‘to praise what is praiseworthy and to blame what is blameworthy’, explains precisely this understand­ing of alētheia.
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Peitho
Peitho Arts and Humanities-Philosophy
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