超越工作室:在埃格岛的音乐制作中嵌入岛屿

Sarah MacKinnon, Matthew G. Hill
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引用次数: 0

摘要

在过去的四十年里,许多录音棚在小岛上发展起来。第一组是在温暖的水域,利用热带作为休息和宁静的地方的标准吸引力。最近,许多工作室在冷水岛开发,促进自然环境(有时不太温和的天气),鼓励反思和创造力。本文以Lost Map Records在苏格兰埃格岛举办的“探访”艺术家驻留项目的形式,分析了后者的一个方面。几位参加过驻地活动的音乐家从埃格附近收集了嵌入原创作品的声音。这涉及到将工作室空间扩展到景观的过程,这与工作室将录音与外部世界隔离的传统角色形成鲜明对比。这篇文章指出,第一个系列的访问住宅制作了与egg的音乐合作,代表了音乐家与景观相关的情感地理体验,提供了比那些在温暖水域岛屿上的传统工作室制作的项目更多的本地基础项目。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Beyond the Studio: Embedding the island in music production on the Isle of Eigg
Over the last four decades a number of recording studios have been developed on small islands. The first group of these were in warm water locales, exploiting the standard appeal of the tropics as places of rest and tranquillity. More recently a number of studios have developed in cold water islands, promoting the natural environment (and sometimes less than temperate weather) as encouraging reflection and creativity. This article analyses one aspect of the latter, in the form of the Visitations artistin-residency programme run by Lost Map Records on the Scottish Isle of Eigg. Several of the musicians who have participated in residencies collected sounds from around Eigg that were embedded in original compositions. This has involved the extension of the studio space into the landscape in a process that stands in contrast to the traditional role of studios to insulate recordings from the external world. This article identifies that the first series of Visitations residences produced musical engagements with Eigg that represent the emotional geographies experienced by the musicians in relation to the landscape, providing more locally grounded projects than those produced in more traditional studios on warm water islands.
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