COVID-19大流行与媒体

Junichi Inutsuka
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引用次数: 0

摘要

新冠肺炎大流行改变了世界的现实,揭示了我们假装看不到的社会矛盾。虽然采取措施迫在眉睫,但同样清楚的是,我们必须从本质上重新考虑这个新社会的意义和形式。一个显著的方面是社会各部门的快速数字化。我们已经意识到,信息技术不仅是实现社会结构和人类结构变化的一种手段,而且是它的一种表现。我们应该要求的不仅是数字化的手段,而且是数字化的意义和方向,并确保存在一个公共论坛来解决社会和社区中有关意义和方向的问题。艺术是一种人类活动的象征,这种活动是对自己所参与的现实的深度进行重新质疑,对未来做出假设,并向社区询问。然而,艺术本身也在经历危机。我想建立一个框架来把握这种情况,重新思考艺术作为一种媒介的公共性问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The COVID-19 Pandemic and Media
The COVID-19 pandemic has changed the reality of the world, revealing the contradictions within society that we have pretended not to see. Although measures are urgent, it is also clear that we must reconsider the meaning and form of this new society in its essence. A remarkable aspect has been the rapid digitalization of various sectors of society. We are already aware that information technology is not merely a means for, but also a representation of the changes in the structure of society as well as in humanity. What we should demand is not only a means for digitalization but also a meaning and direction for it, and to ensure that a public forum exists to resolve questions regarding meaning and direction within the society and community. Art is a symbol of the human activity of re-questioning the depths of reality in which one is involved, making hypotheses for the future, and asking the community about it. However, art itself is also undergoing a crisis. I would like to set a framework for grasping this situation to reconsider the issue of art as a medium responsible for publicness.
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