Louise Viljoen
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引用次数: 0

摘要

阅读奥尔加·基尔希的南非荷兰语诗歌,人们会被失去的经历在她的全部作品中所占据的重要地位所震惊。她在南非生活期间出版的前两卷诗集,以及1948年移居以色列后出版的五卷诗集,都体现了这一点。因为她的诗歌,尤其是在以色列写的那几卷,散发着一种忧郁的气息,本文以弗洛伊德关于失落、哀悼和忧郁的著作,以及他的作品之前的历史传统为指导,探索在基尔希的作品中描绘失落、哀悼和忧郁的经历的方式。这篇文章关注的是她在诗歌中描绘失落的方式:她感觉,损失几个世纪以来形成的犹太经验她的历史和身份的一部分,她的经历失去南非和南非荷兰语的语言中,她是最能表达诗意当她移民到以色列的方式失去她的父亲和母亲在她生活在不同的时间影响了她,她觉得她的经验损失和随后的忧郁到她的孩子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Die hart ’n droë blaar”: Verlies, rou en melancholie in Olga Kirsch se Afrikaanse poësie / “The heart a dry leaf”: Loss, Mourning and Melancholia in Olga Kirsch’s Afrikaans Poetry
Abstract Reading Olga Kirsch’s Afrikaans poetry, one is struck by the important role that the experience of loss occupies in her oeuvre. It is evident in the first two volumes of poetry she published while still living in South Africa, as well as in the five volumes she published after emigrating to Israel in 1948. Because her poetry, especially the volumes written in Israel, exudes an air of melancholy, this article uses Freud’s writings on loss, mourning and melancholia, as well as the historical tradition preceding his work, as a guideline in exploring the way in which the experience of loss, mourning and melancholy is portrayed in Kirsch’s oeuvre. The article focusses on the way in which loss is portrayed in her poetry: her sense that the Jewish experience of loss over the centuries forms part of her history and identity, the way in which she experiences the loss of South Africa and the language Afrikaans in which she is best able to express herself poetically when she emigrates to Israel, the way in which the loss of her father and mother at different times in her life affected her, her feeling that her experience of loss and the ensuing melancholy are carried over to her children.
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