Netflix上以色列电视的建构质量:以福达和什蒂塞尔为例

IF 0.9 2区艺术学 0 FILM, RADIO, TELEVISION

Critical Studies in Television Pub Date : 2022-11-18 DOI:10.1177/17496020221137661

Noa Lavie

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引用次数: 0

摘要

本研究调查了“优质电视”的概念在流媒体视频点播(SVOD)平台时代是如何演变的，使用了Netflix上两部以色列电视剧的评论——《福达》和《Shtisel》。根据皮埃尔·布迪厄(Pierre Bourdieu)的观点，新闻评论家是社会代理人和中介，拥有将文化文物纳入艺术经典的权力，本研究基于对这两个系列在主要英美新闻平台上发表的评论的定性分析。分析显示了评论者如何参与构建Netflix的“外语高质量电视”品牌。

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The constructed quality of Israeli TV on Netflix: The cases of Fauda and Shtisel

This study investigates how the concept of ‘quality TV’ is evolving in the age of streaming video on demand (SVOD) platforms, using reviews of two Israeli TV series on Netflix – Fauda and Shtisel. In accordance with Pierre Bourdieu’s view of journalistic reviewers as social agents and intermediaries with the power to enshrine cultural artifacts in an artistic canon, the study is based on a qualitative analysis of reviews of these two series published on major Anglo-American journalistic platforms. The analysis shows how the reviewers take part in constructing the Netflix brand of ‘a ‘foreign-language quality TV’ series.

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来源期刊

Critical Studies in Television FILM, RADIO, TELEVISION-

CiteScore

2.10

自引率

30.00%

发文量

期刊介绍： Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.