停留和批评

IF 0.8 Q2 AREA STUDIES
Valeria Seigelsheifer, Tova Hartman
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引用次数: 1

摘要

在过去的二十年里,以色列正统派犹太女电影人用电影来公开谈论各种以前被视为禁忌的话题。虽然这些电影制作人反对正统派的某些方面,但他们是作为“忠诚的抵抗者”这样做的。而不是表达异端的反对,这些女性一直致力于正统,正是因为她们能够用电影制作来抵抗。为了“证明”她们成为电影人的决定是正确的,这些女性将自己定位为“偶然的”电影人,因此在通过她们的电影批评正统的同时,她们仍留在正统之中。在这种情况下,文化抵抗并不是对正统犹太教的蔑视,而是出于与它的关系,以坚持对多种承诺的奉献为特征的抵抗形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Staying and Critiquing
Over the past two decades, Israeli Orthodox Jewish women filmmakers have used film to speak in a public voice about various subjects that were previously taboo. Although there are aspects of Orthodoxy to which these filmmakers object, they do so as ‘devoted resisters’. Rather than expressing heretical opposition, the women stay committed to Orthodoxy precisely because they are able to use filmmaking to resist. In their negotiations of voice used to ‘justify’ their decision to become filmmakers, the women position themselves as ‘accidental’ filmmakers, thereby remaining within Orthodoxy while critiquing it through their films. Cultural resistance in this case is not carried out as defiance to Orthodox Judaism but rather out of a relationship with it, featuring a form of resistance that insists upon devotion to multiple commitments.
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来源期刊
Israel Studies Review
Israel Studies Review AREA STUDIES-
CiteScore
0.50
自引率
0.00%
发文量
16
期刊介绍: Israel Studies Review (ISR) is the journal of the Association for Israel Studies, an international and interdisciplinary scholarly organization dedicated to the study of all aspects of Israeli society, history, politics, and culture. ISR explores modern and contemporary Israel from the perspective of the social sciences, history, the humanities, and cultural studies and welcomes submissions on these subjects. The journal also pays close attention to the relationships of Israel to the Middle East and to the wider world, and encourages scholarly articles with this broader theoretical or comparative approach provided the focus remains on modern Israel.
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