{"title":"从相机到画布:帕特里斯·卢蒙巴和刚果流行绘画的案例","authors":"G. Nugent","doi":"10.1215/10757163-8719668","DOIUrl":null,"url":null,"abstract":"Abstract:This article explores the entanglement of Congolese popular painting with photography through the case of Patrice Lumumba, the first democratically elected prime minister of the Democratic Republic of Congo, who was assassinated in 1961. Lumumba's final public appearance was immortalized in a series of photographs and newsreel footage that was disseminated around the world. The author contends that the events thereafter are frequently envisioned by Congolese popular painting, as it takes over from the operations of the camera in an era largely defined by the photographic. The article suggests that photography and Congolese popular painting are enmeshed in the creation of a visual archive around the figure of Lumumba. Furthermore, it examines the indebtedness of popular painting to photographic culture as well as other sources in the \"colonial contact zone.\"","PeriodicalId":41573,"journal":{"name":"Nka-Journal of Contemporary African Art","volume":"18 1","pages":"82 - 93"},"PeriodicalIF":0.1000,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From Camera to Canvas: The Case of Patrice Lumumba and Congolese Popular Painting\",\"authors\":\"G. Nugent\",\"doi\":\"10.1215/10757163-8719668\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article explores the entanglement of Congolese popular painting with photography through the case of Patrice Lumumba, the first democratically elected prime minister of the Democratic Republic of Congo, who was assassinated in 1961. Lumumba's final public appearance was immortalized in a series of photographs and newsreel footage that was disseminated around the world. The author contends that the events thereafter are frequently envisioned by Congolese popular painting, as it takes over from the operations of the camera in an era largely defined by the photographic. The article suggests that photography and Congolese popular painting are enmeshed in the creation of a visual archive around the figure of Lumumba. Furthermore, it examines the indebtedness of popular painting to photographic culture as well as other sources in the \\\"colonial contact zone.\\\"\",\"PeriodicalId\":41573,\"journal\":{\"name\":\"Nka-Journal of Contemporary African Art\",\"volume\":\"18 1\",\"pages\":\"82 - 93\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nka-Journal of Contemporary African Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/10757163-8719668\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nka-Journal of Contemporary African Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/10757163-8719668","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
From Camera to Canvas: The Case of Patrice Lumumba and Congolese Popular Painting
Abstract:This article explores the entanglement of Congolese popular painting with photography through the case of Patrice Lumumba, the first democratically elected prime minister of the Democratic Republic of Congo, who was assassinated in 1961. Lumumba's final public appearance was immortalized in a series of photographs and newsreel footage that was disseminated around the world. The author contends that the events thereafter are frequently envisioned by Congolese popular painting, as it takes over from the operations of the camera in an era largely defined by the photographic. The article suggests that photography and Congolese popular painting are enmeshed in the creation of a visual archive around the figure of Lumumba. Furthermore, it examines the indebtedness of popular painting to photographic culture as well as other sources in the "colonial contact zone."
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