作为爱情寓言的捕鸟:希腊罗马文学与近代早期英国文学之比较

IF 0.1 4区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES
PARERGON Pub Date : 2023-08-29 DOI:10.1353/pgn.2023.a905419
A. Green
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引用次数: 0

摘要

摘要:在近代早期英国文学中,尤其是莱利、莎士比亚和斯宾塞,爱情和性欲通常以引诱、诱捕和射击鸟类的方式进行寓言化。本文研究了这一象征主义的古典起源,揭示了作者如何使用希腊和罗马的爱如鸟的隐喻来表达他们自己的作品,丘比特本人经常被想象成一只鸟。它重新构建了捕鸟的技术和术语方面,认为只有在回答了传统上如何、何时以及由谁捕获鸟类的基本问题之后,我们才能理解为什么捕鸟被用来表达欲望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bird-Catching as a Love Allegory: A Comparison of Greco-Roman and Early Modern English Literature
Abstract:In the literature of early modern England, particularly Lyly, Shakespeare, and Spenser, love and sexual desire are commonly allegorised in terms of luring, trapping, and shooting birds. This paper investigates the classical origins of this symbolism, revealing how authors used Greek and Roman metaphors of love-as-fowling to inform their own works, with Cupid himself often imagined as a bird. It reconstructs technical and terminological aspects of fowling, arguing that we can only understand why bird-catching was used to express desire once we have answered fundamental questions of how, when, and by whom birds were traditionally caught.
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来源期刊
PARERGON
PARERGON MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.10
自引率
0.00%
发文量
53
期刊介绍: Parergon publishes articles and book reviews on all aspects of medieval and early modern studies. It has a particular focus on research which takes new approaches and crosses traditional disciplinary boundaries. Fully refereed and with an international Advisory Board, Parergon is the Southern Hemisphere"s leading journal for early European research. It is published by the Australian and New Zealand Association of Medieval and Early Modern Studies (Inc.) and has close links with the ARC Network for Early European Research.
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