ATOPOS cvc撕裂项目:服装的“新”生活?

IF 0.2 4区社会学 N/A HUMANITIES, MULTIDISCIPLINARY

Costume-The Journal of the Costume Society Pub Date : 2020-09-01 DOI:10.3366/cost.2020.0166

Myrsini Pichou

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引用次数: 0

摘要

本文将考察雅典的ATOPOS当代视觉文化组织(ATOPOS)发起的RIPPING ATOPOS项目。在这个项目中，当代艺术家和时装设计师被委托创作他们自己的艺术作品或服装，灵感来自特定的作品或使用ATOPOS系列中20世纪60年代纸裙的复制品。文章描述了与不同的艺术家和时装设计师合作的结果。该项目使ATOPOS能够研究处理、管理和展示其藏品的新方法。

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The ATOPOS cvc RIPPING Project: A ‘New’ Life for Dress Objects?

This article will examine the RIPPING ATOPOS project initiated by the Athens-based ATOPOS Contemporary Visual Culture Organization (ATOPOS). In this project, contemporary artists and fashion designers are commissioned to create their own works of art or garments, either inspired by specific pieces or by using duplicates of the 1960s paper dresses from the ATOPOS collection. The article describes results of the collaborations with the different artists and fashion designers. The project has enabled ATOPOS to investigate new ways of handling, managing and displaying its collection.

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来源期刊

Costume-The Journal of the Costume Society HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.40

自引率

50.00%

发文量

期刊介绍： Costume is the journal of the Costume Society. It is a scholarly, refereed, academic publication presenting current research into historic and contemporary dress. The journal publishes articles primarily object-based, from a broad chronological period and with a worldwide remit. Costume maintains a balance between practice and theory and concentrates on the social significance of dress. Articles are welcomed from established researchers and those new to the field. The articles published in Costume are sent out for peer-review to ensure that they are of a high standard and make a contribution to dress history.