保持城市的复杂性:在瑞典哥德堡的工业滨河地区寻求振兴,而不是高档化

Q2 Social Sciences
Gabriella Olshammar
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引用次数: 0

摘要

本文介绍了在哥德堡(Ringön)河边的一个小规模和位于中心的工业基地进行的案例研究。在市政愿景中,它被强调要根据自己的情况进行开发,这意味着小规模和划为工业用途。Ringön靠近城市的历史核心,周围都是大型建筑工地,最近在当地报纸、研究、大学教育和社交媒体上受到了很多关注。这个地区被反复描绘成冗余的,有可能成为一个时髦的mekka。然而,这些报道大多只关注创意产业和艺术领域的新来者,而忽略了现有的维修店和小规模制造业。把一个地区描绘成冗余的,需要改善的,这体现了中产阶级化的特征,在那里,现有的品质很少得到重视,外人定义了振兴的需要。这里的目的是了解和阐明Ringön利益相关者(即共同影响相关开发的内部人员)之间的各种观点和利益。为了掌握这个过程的复杂性,我根据Bent Flyvbjerg的案例研究方法,开发了一个多方面的叙述。在实地研究中出现的具有意义的历史和活动被分为已经消失的时代、仍然存在的时代、几乎已经消失的时代和最近才发现的时代。这出思想剧的灵感来自于当前关于世界走向终结的话语,正如达诺斯基和爱德华多·维韦罗斯·德·卡斯特罗所解释的那样。此外,还引入了Nigel Thrift的“城市胶水”概念,以说明Ringön如何体现了一个仍然存在的时代。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Maintaining Urban Complexities: Seeking Revitalization without Gentrification of an Industrial Riverfront in Gothenburg, Sweden
This article presents case study research performed in a small-scale and centrally located industrial site by the riverfront in Gothenburg, Ringön. It has been highlighted in municipal visions to develop according to its very own circumstances, meaning small-scale and zoned for industrial use. Being closely located to the historic core of the city and surrounded by large construction sites, Ringön has received a lot of attention lately in local newspapers, research, university education and social media. The area is repeatedly pictured as redundant, with some rough potential to become something of a hipster mekka. However, this coverage mostly recognises newcomers from the creative industries and art, while neglecting existing repair-shops and small-scale manufacturing industries. To picture an area as redundant and in need of improvements, exemplifies a feature of gentrification, where extant qualities are seldom appreciated, and where outsiders define the needs to revitalize. The purpose is here to understand and shed light on a diversity of perspectives and interests among Ringön stakeholders, i.e. the insiders, who together affect the development in question. In order to grasp the complexity of the process, I develop a many-faceted narrative in line with Bent Flyvbjerg’s approach to case study research. Meaning-making histories and activities that have come forward in field studies are sorted into eras that are considered lost, still alive, almost lost or recently found. This play of thought is inspired by current discourses on worlds coming to an end, as interpreted by Déborah Danowski and Eduardo Viveiros de Castro. In addition, the concept of “urban glue” from Nigel Thrift is introduced to illustrate how Ringön embodies an era that is certainly still alive.
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来源期刊
Culture Unbound
Culture Unbound Social Sciences-Cultural Studies
CiteScore
0.90
自引率
0.00%
发文量
32
审稿时长
20 weeks
期刊介绍: Culture Unbound: Journal of Current Cultural Research is a journal for border-crossing cultural research, globally open to articles from all areas in this large field, including cultural studies as well as other interdisciplinary and transnational currents for exploring cultural perspectives, issues and phenomena. It is peer-reviewed and easily accessible for downloading as open access. Culture Unbound is hosted by Linköping University Electronic Press (LiU E-Press, www.ep.liu.se). It is based on a co-operation between three Linköping University units that provide a unique profile to the journal, bridging regional and global research traditions: -The Advanced Cultural Studies Institute of Sweden (ACSIS), with interdisciplinary transnational exchange. -The Department of Culture Studies (Tema Q), with interdisciplinary research and PhD education.
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