罗伯特·费海提(Robert Flaherty)的电影，在潘帕草原上，由谢尔盖·爱森斯坦(Sergei Eisenstein)拍摄，为维多利亚·奥坎波(Victoria Ocampo)拍摄，沃尔多·弗兰克(Waldo Frank)执导

IF 0.2 0 LITERARY THEORY & CRITICISM

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2021-07-19 DOI:10.5195/CT/2021.467

David Oubiña

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引用次数: 0

摘要

1930年，维多利亚·奥坎波在纽约会见谢尔盖·爱森斯坦。他正在去好莱坞的路上，他计划在那里拍一部电影，而她在那里与沃尔多·弗兰克会面，并讨论《苏尔》杂志的项目。奥坎波邀请这位电影制作人来阿根廷拍摄一部关于潘帕斯草原的电影。本文的目的是重建作家和电影制作人之间的关系，以支持这样一个假设，即当爱森斯坦的阿根廷之旅失败时，我们可以在他所参与的电影中找到一些这一项目的痕迹:“Que viva m西科!”

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Una película de Robert Flaherty, en la pampa, filmada por Sergei Eisenstein, para Victoria Ocampo, a espaldas de Waldo Frank

Victoria Ocampo meets Sergei Eisenstein in New York, in 1930. He is on his way to Hollywood where he plans to make a film and she is there to meet Waldo Frank and discuss the project of the journal Sur. Ocampo invites the filmmaker to come to Argentina make a film about the pampas. The aim of this article is to reconstruct the relationship between the writer and the filmmaker in order to support the hypothesis that we might identify some traces of that project in the film Eisenstein engages with when his trip to Argentina fails: ¡Que viva México!.

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Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism LITERARY THEORY & CRITICISM-

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

31 weeks