后后现代:艺术与趋势

Nataliia Zahurska
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摘要

本文探讨了后后现代艺术及其多样性趋势。研究的出发点是后现代与后后现代在艺术环境中的比较。后现代主义矛盾地限制了冗余,不允许充分展示艺术对象的特殊功能。后后现代艺术提供了一种克服事件的缺乏和危险以及人类自我发生的可能性。Graham Harman的面向对象本体(OOO)、Raoul Eshelman的表演主义、Timotheus Vermeulen和Robin van den Akker的元现代主义、Alain Kirby的数字现代主义、Tom Turner对建筑的后后现代理解等都是思潮,尤其是理解后现代和后后现代艺术的特点。《OOO》表明,后后现代艺术是相当戏剧化的,文学甚至后后现代文学都变得戏剧化了。在艺术中,尤其是在建筑中,放弃对形式和功能的高估,允许将奇怪的形式主义指定为实际的艺术立场。由于这篇文章涉及的是生活的艺术,所以最关注的是建筑作为一种典型的艺术。这就解释了为什么人们喜欢研究建筑的作品,包括建筑师自己的理论,如Peter Zumthor或Juhani Palasmaa,或者作家创作的建筑艺术品。另一方面,后后现代作家如大卫·福斯特·华莱士或戴夫·埃格斯创作戏剧文学作品,这些作品经常被拍摄成电影。表演主义作为后千禧年生成人类学的发展方向,是研究生成艺术的基础,因为生成艺术是最不可预测的,最接近生活的自发性,通过移动来吸引对象,包括艺术对象。本文通过研究从自我表现到自我发生的转变,作为一种行为艺术,一种存在模式,来发展这种方法。因此,多样性的后后现代艺术表现为人类生活的艺术。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
POST-POSTMODERN: ARTS AND TRENDS
This article considers post-postmodern arts and trends in their diversity. The starting point of the research is the comparison of postmodern and post-postmodern in the art environment. Postmodern paradoxically limits the redundancy, not allowing sufficient displaying of the special features of an art object. Post-postmodern arts provide a possibility to overcome the lack and danger of events and the self-happening of a human being. Object-oriented ontology (OOO) by Graham Harman, performatism by Raoul Eshelman, metamodernism by Timotheus Vermeulen and Robin van den Akker, digimodernism by Alain Kirby, post-postmodern understanding of architecture by Tom Turner, etc. are intellectual trends, which comprehends peculiarities of postmodern and post-postmodern art in particular. OOO displays, that post-postmodern art is rather theatrical that literal and even post-postmodern literature becomes theatrical. The renouncement from an overestimation of both form and function in art, especially in architecture, allows to designate a weird formalism as an actual art position. Since the article deals with the art of living through, the greatest attention is paid to architecture as an exemplary art. This explains the appeal to works that research architecture, including the theories of architects themselves such as Peter Zumthor or Juhani Palasmaa or creating architectural art objects by writers. On the other hand, post-postmodern writers such as David Foster Wallace or Dave Eggers create theatrical literary works, which are often filmed. Performatism as a direction developing post-millennial generative anthropology is the basis for the researching of generative art as the most unpredictable and close to the spontaneity of living through as a moving to attract objects, including art objects. This article develops this approach by researching of moving from self-performance to self-happening as an art of demeanor, a mode of being. Thus, post-postmodern art in its diversity appears as art a human being living through.
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