说书人的“诺斯托斯”:石黑一雄《别让我走》中山鲁佐德和奥德修斯的再现

IF 0.4 3区 文学 0 LANGUAGE & LINGUISTICS
Manuel José Botero Camacho, Miguel Rodríguez Pérez
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引用次数: 1

摘要

本文研究了石黑一雄的《别让我走》(2005)的主人公凯西·H的叙述,作为叙述的合流,通过这种合流,个人和她的社区基于对标志着他们生活的事件的记忆,以及作为他们生活叙事原型的文学文本和文化习俗来构建他们的身份。凯西的故事中有两个典型的人物:奥德修斯,一个是努力回家的迷失的海员,另一个是谢赫拉扎德,《一千零一夜》中狡猾的说书人。从这个角度来看,凯西的回忆构成了她试图回到海尔舍姆所代表的神话之地的尝试,因为无法在物理条件下进行克隆,促使她通过记忆和讲故事来寻找其他方法来恢复它。因此,她复制了谢赫拉扎德,将这个人物融入她的反乌托邦和后殖民背景,在叙述中探索记忆、虚构和身份之间的相互作用。关键词:石黑一雄;谢赫拉莎德;《尤利西斯》;讲故事;un-belonging;内存
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Storyteller’s "Nostos": Recreating Scheherazade and Odysseus in Kazuo Ishiguro’s "Never Let Me Go"
This article studies the account of Kathy H., protagonist of Kazuo Ishiguro’s Never Let Me Go (2005), as the confluence of narratives through which an individual and her community construct their identity based on the remembrance of the events that have marked their lives, as well as on the literary texts and cultural conventions that have served as the archetypes upon which the narratives of their lives are built. Two paradigmatic figures stand out in Kathy’s story: Odysseus, the lost seafarer endeavouring to return home, and Scheherazade, the artful storyteller of the Arabian Nights. From this perspective, Kathy’s recollection constitutes her attempt to return to the mythic place that Hailsham has come to represent for clones that, unable to be carried out on physical terms, induces her to find alternative means to recover it through memory and storytelling. As a result, she constitutes a replication of Scheherazade, adapting this figure to her dystopian and postcolonial context in a narration that explores the interplay between memory, fiction and identity. Keywords: Kazuo Ishiguro; Scheherazade; Ulysses; storytelling; un-belonging; memory
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来源期刊
CiteScore
0.80
自引率
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发文量
13
审稿时长
28 weeks
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