{"title":"EDMC老化导论","authors":"D. Madden","doi":"10.12801/1947-5403.2019.11.01.01","DOIUrl":null,"url":null,"abstract":"David Madden is an Assistant Professor of Screen Arts at Pepperdine University. His research considers the cultural politics of electronic music from the intersections of history, technology, ageing and gender. Currently he is writing a historical book on electronic music (McGill-Queen’s University Press, forthcoming) and undertaking a micro historiography of the performers of the Ondes Martenot. He is also a musician, community arts organizer and artist, whose work crosses screens, dancefloors and media. <david.madden@pepperdine.edu> on both individual and collective consciences, shaping our responses to ageing populations and the scripts that circumscribe our behaviour.","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":"19 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Introduction to Ageing with EDMC\",\"authors\":\"D. Madden\",\"doi\":\"10.12801/1947-5403.2019.11.01.01\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"David Madden is an Assistant Professor of Screen Arts at Pepperdine University. His research considers the cultural politics of electronic music from the intersections of history, technology, ageing and gender. Currently he is writing a historical book on electronic music (McGill-Queen’s University Press, forthcoming) and undertaking a micro historiography of the performers of the Ondes Martenot. He is also a musician, community arts organizer and artist, whose work crosses screens, dancefloors and media. <david.madden@pepperdine.edu> on both individual and collective consciences, shaping our responses to ageing populations and the scripts that circumscribe our behaviour.\",\"PeriodicalId\":36263,\"journal\":{\"name\":\"Dancecult\",\"volume\":\"19 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-11-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dancecult\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12801/1947-5403.2019.11.01.01\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dancecult","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12801/1947-5403.2019.11.01.01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
David Madden is an Assistant Professor of Screen Arts at Pepperdine University. His research considers the cultural politics of electronic music from the intersections of history, technology, ageing and gender. Currently he is writing a historical book on electronic music (McGill-Queen’s University Press, forthcoming) and undertaking a micro historiography of the performers of the Ondes Martenot. He is also a musician, community arts organizer and artist, whose work crosses screens, dancefloors and media. on both individual and collective consciences, shaping our responses to ageing populations and the scripts that circumscribe our behaviour.