文字游戏:探索搞笑术语和游戏在文化背景下的语言渗透

IF 0.5 4区 教育学 Q4 EDUCATION & EDUCATIONAL RESEARCH
Alice Bayliss
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引用次数: 8

摘要

“游戏”这个词渗透在我们的语言中,可以指一系列不同的、看似完全不同的活动。儿童的游戏可能与剧院的游戏世界截然不同,但通过研究文化框架内的语言联系,我们可以开始看到一个社会对游戏的理解如何直接影响当今学校戏剧教育家的工作。游戏通常被理解为与其明显的对立面——工作、现实或严肃性——有关。本文试图打破这种社会建构的两极分化,并探讨游戏与仪式、阈限、无政府状态和革命的关系。如果游戏赋予我们将自己转化为“他人”的能力,那么我们的地位就永远不会保持不变,意义也会发生变化,因此自我就会抵抗当权者的控制。这种戏剧功能被认为是像Boal这样的从业者的工作方法,但也应该关注那些在机构中作为戏剧教育工作者的人,当……
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Playing with Words: an exploration of ludic terms and the linguistic permeation of play in a cultural context
Abstract The word ‘play’ permeates our language and can refer to a range of different and seemingly disparate activities. The play of children may be distinct from the play‐world of the theatre but by examining the linguistic connection within a cultural framework, we can begin to see how a society's understanding of play may affect directly the work of drama educationists in schools today. Play is often understood in relation to its apparent opposite‐‐work, reality or seriousness. This article attempts to explode this socially constructed polarisation and explores play in its relation to ritual, liminality, anarchy and revolution. If play gives us the ability to transform ourselves into ‘other’ then our position can never remain fixed, meanings are subject to change and thus the self is resistant to control by those in power. This play function is recognised as a working methodology of practitioners such as Boal but should also be of concern to those operating as drama educationists in establishments whe...
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来源期刊
CiteScore
1.30
自引率
16.70%
发文量
42
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