《社会扭曲》中的“白光、白热、白色垃圾”中的复苏修辞

Q1 Arts and Humanities
A. Goldwyn
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引用次数: 0

摘要

社会扭曲乐队1996年的专辑《白光,白热,白色垃圾》是一张概念专辑,反映了主唱兼词曲作者迈克·内斯在匿名戒酒会(AA)的康复过程:12首歌,每首歌都描述了内斯在匿名戒酒会12步计划中相应步骤的经历。歌词中的康复修辞与匿名戒酒会(“大书”)有互文关系,Ness的歌词直接引用了AA基本文本中概述的康复计划。虽然专辑中关于康复的修辞反映了Ness自己的经历,但它也展示了个人的真实体验是如何通过更广泛的文化趋势被构建起来的,无论是在Lou reed影响的吉他,毒品和忏悔真实性的摇滚历史中,更广泛地说,康复的修辞是如何渗透到美国流行音乐和文化的其他流派的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The rhetoric of recovery in Social Distortion’s White Light, White Heat, White Trash
Social Distortion’s 1996 album White Light, White Heat, White Trash is a concept album reflecting the recovery in Alcoholics Anonymous (AA) of lead singer and songwriter Mike Ness: twelve songs, with each of the songs describing Ness’s experience of the corresponding step in AA’s twelve-step programme. The rhetoric of recovery in the song lyrics has an intertextual relationship to Alcoholics Anonymous (the ‘Big Book’), with Ness’s lyrics quoting directly from the programme of recovery outlined in the basic text of AA. Though the rhetoric of recovery in the album reflects Ness’s own experience, it also demonstrates how individual authentic experience is constructed interdiscursively through broader cultural trends, both within the Lou Reed-inflected rockist history of guitars, drugs and confessional authenticity and, more broadly, how the rhetoric of recovery has permeated other genres of American popular music and culture.
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来源期刊
Punk and Post-Punk
Punk and Post-Punk Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
自引率
0.00%
发文量
35
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