{"title":"伦敦的大海星:维多利亚时代中期郊区小说的建构","authors":"T. Wagner","doi":"10.4000/cve.5854","DOIUrl":null,"url":null,"abstract":"In Trollope's 1 8 5 8 The Three Clerks, the coming of commuter railways generates a peculiarly modern image of suburbanised, starfish-like, London: \"London will soon assume the shape of a great starfish. [...] The old town, extending from Poplar to Hammersmith, will be the nucleus, and the various railway lines will be the projecting rays.\" It is an outgrowth only to be understood as an otherworldly creature: from some undefined depths of alterity, an exotic animal rises to finger the English countryside. The centrality of changing urban space in Victorian literature and culture has spawned some of the best interdisciplinary research, but precisely this concentration on the city has elided suburbia's significance. In discussions of urban modernity, suburbs are marginalised; cliche d images of bourgeois self-confinement failing to raise more than a passing interest in these margins. What was new and different about Victorian suburbia and how the cultural fictions that have shaped our understanding of what constitutes \"suburbanism\" were created are rarely addressed issues. At the mid-nineteenth century, however, \"the suburban\" formed an expanding field for fictional explorations in which the association between urbanisation and ventures into foreign spaces powerfully drew into debate the promotion of \"suburbanism\" as the ultimate manifestation of the divorce of home and workplace. The construction of suburban fiction operated within a negotiation of domesticity and alterity that brought home the potentials and problems associated with urban expansion. 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引用次数: 1
摘要
在特罗洛普的《三个职员》(The Three clerk)中,通勤铁路的出现为伦敦的郊区化、海星般的现代形象塑造了一个独特的形象:“伦敦很快就会变成一只大海星的形状。[…从Poplar延伸到Hammersmith的老城区将成为核心,各种铁路线将成为投射光线。”它是一种只能被理解为一种超凡脱俗的生物的产物:一种奇异的动物从某种未知的深处出现,在英国乡村出没。在维多利亚时代的文学和文化中,城市空间变化的中心地位催生了一些最好的跨学科研究,但正是这种对城市的关注忽略了郊区的意义。在城市现代性的讨论中,郊区被边缘化了;资产阶级自我约束的陈词滥调形象未能引起人们对这些边缘地带的兴趣。维多利亚时代郊区的新颖和不同之处,以及塑造我们对“郊区主义”构成的理解的文化虚构是如何产生的,这些问题很少得到解决。然而,在19世纪中期,“郊区”形成了一个不断扩大的虚构探索领域,其中城市化与进入外国空间的冒险之间的联系有力地引发了对“郊区主义”作为家庭和工作场所离婚的最终表现形式的推广的辩论。郊区小说的构建是在家庭生活和另类的协商中进行的,这种协商将城市扩张的潜力和问题带回家。在跨越子类型的过程中,它产生了一些最普遍的陈词滥调,但在一个模棱两可的重新定义过程中,它促使我们重新考虑当前的文化神话。安东尼·特罗洛普、查尔斯·狄更斯、威尔基·柯林斯以及名不见大名的国内小说家艾米丽·伊登等作家都充分利用了这个以巨大流动性为特征的快速发展的空间。他们这样做的方式明显不同,这表明郊区小说的多样性。
London's Great Starfish: The Construction of Mid-Victorian Suburban Fiction
In Trollope's 1 8 5 8 The Three Clerks, the coming of commuter railways generates a peculiarly modern image of suburbanised, starfish-like, London: "London will soon assume the shape of a great starfish. [...] The old town, extending from Poplar to Hammersmith, will be the nucleus, and the various railway lines will be the projecting rays." It is an outgrowth only to be understood as an otherworldly creature: from some undefined depths of alterity, an exotic animal rises to finger the English countryside. The centrality of changing urban space in Victorian literature and culture has spawned some of the best interdisciplinary research, but precisely this concentration on the city has elided suburbia's significance. In discussions of urban modernity, suburbs are marginalised; cliche d images of bourgeois self-confinement failing to raise more than a passing interest in these margins. What was new and different about Victorian suburbia and how the cultural fictions that have shaped our understanding of what constitutes "suburbanism" were created are rarely addressed issues. At the mid-nineteenth century, however, "the suburban" formed an expanding field for fictional explorations in which the association between urbanisation and ventures into foreign spaces powerfully drew into debate the promotion of "suburbanism" as the ultimate manifestation of the divorce of home and workplace. The construction of suburban fiction operated within a negotiation of domesticity and alterity that brought home the potentials and problems associated with urban expansion. In cutting across subgenres, it engendered some of the most pervasive cliches, but in an ambiguous process of redefinition that impels us to reconsider still current cultural myths. Writers as different as Anthony Trollope, Charles Dickens, Wilkie Collins, and also the little-known domestic novelist Emily Eden made the most of what had become a rapidly evolving space characterised by immense fluidity. They did so in markedly divergent ways that evince the versatility of suburban fiction.
期刊介绍:
Les Cahiers victoriens et édouardiens publient depuis 1974 deux numéros par an, l’un sur des sujets et écrivains variés, l’autre consacré à un auteur ou à un thème. Les Cahiers s’intéressent non seulement à la littérature, mais aussi à tous les aspects de la civilisation de l’époque, et accueillent des méthodes critiques variées. Ils publient aussi des comptes rendus d’ouvrages et des résumés de thèses récemment soutenues sur le sujet. Des articles peuvent être soumis en vue d’une publication éventuelle (règles de présentation du M.L.A. Handbook).